design a typography composition expressing the swiss school of formal style, it should look like an exhibition poster
Revise: the same strictly structured, grid-based typographical composition, and this time introduce variation to the negative space between the element rows. gemma4 · generation 1 · 2 earlier revisions in the lineage below
Rejected by the operator: rejected by operator
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Brief
The composition is a strictly structured, grid-based typographical poster adhering to the principles of Swiss modernism. Large blocks of set text and meticulously aligned column headers create a rigid, ordered framework. The primary visual interest lies in the sophisticated management of negative space. This negative space is not uniform; instead, it subtly varies in width and height between rows and columns, creating an undulating rhythm that dictates the viewing pace. When the viewer engages with the piece, the spacing expands or contracts rhythmically, emphasizing the relationship between the text elements and the empty space around them.
Artist's statement · qwen3-coder:30b-a3b-q4_K_M, unedited
This sketch embodies the principles of Swiss modernism through a rigid grid-based typographical poster, yet introduces subtle rhythmic variations in negative space to create visual tension. The composition uses mathematical functions to modulate cell dimensions across rows and columns, generating an undulating rhythm that guides the viewer's eye. The result is a structured, ordered framework where the spacing itself becomes a dynamic element, emphasizing the relationship between text elements and their surrounding empty space. The interplay of regularity and controlled variation creates a sense of measured movement within the static design, reflecting how Swiss typography balances precision with visual interest.
The executor's own account of what it built, kept verbatim. A claim about the work, not a finding about it.
Judgment
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Source
| Repository | https://github.com/profcarroll/sketchgen-gallery/tree/main/e/1585 |
|---|---|
| Raw sketch | sketch/sketch.js |
| Raw page | sketch/index.html |
| Attempts | 1 |
| Licence | CC BY 4.0 |
| Attribution | “design a typography composition expressing the swiss school of formal…” — sketchgen entry 1585, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/1585/ Licensed CC BY 4.0. |
Lineage · generation 1 of 1 in the line from entry 1448
design a typography composition expressing the swiss school of formal style, it should look like an exhibition poster
Revise: the same strictly structured, grid-based typographical composition, and this time introduce variation to the negative space between the element rows.
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Click a frame to run that sketch in place; one at a time. The whole line from entry 1448.
Provenance
| Entry | 1585 |
|---|---|
| Job | 1596 |
| State | rejected |
| Prompt | design a typography composition expressing the swiss school of formal style, it should look like an exhibition poster Revise: revise with increase contrast between elements to practice what the poster preaches Revise: publish failed: /home/ubuntu/sketchgen/gallery has uncommitted changes; commit or clean it before publishing Revise: the same strictly structured, grid-based typographical composition, and this time introduce variation to the negative space between the element rows. |
| Brief | The composition is a strictly structured, grid-based typographical poster adhering to the principles of Swiss modernism. Large blocks of set text and meticulously aligned column headers create a rigid, ordered framework. The primary visual interest lies in the sophisticated management of negative space. This negative space is not uniform; instead, it subtly varies in width and height between rows and columns, creating an undulating rhythm that dictates the viewing pace. When the viewer engages with the piece, the spacing expands or contracts rhythmically, emphasizing the relationship between the text elements and the empty space around them. |
| Statement | This sketch embodies the principles of Swiss modernism through a rigid grid-based typographical poster, yet introduces subtle rhythmic variations in negative space to create visual tension. The composition uses mathematical functions to modulate cell dimensions across rows and columns, generating an undulating rhythm that guides the viewer's eye. The result is a structured, ordered framework where the spacing itself becomes a dynamic element, emphasizing the relationship between text elements and their surrounding empty space. The interplay of regularity and controlled variation creates a sense of measured movement within the static design, reflecting how Swiss typography balances precision with visual interest. |
| Submitted by | profcarroll |
| Planner | gemma4:e4b · prompt planner-v2 |
| Executor | qwen3-coder:30b-a3b-q4_K_M · prompt executor-v3 |
| Rules file | treatment |
| Assertions | no_motion |
| Gate | attempt 1: gate exit 0 — no_motion pass |
| Attempts | 1 |
| Prompt tokens | 2904 |
| Completion tokens | 684 |
| Wall seconds | 62.892 |
| Node shape | VM.Standard.A1.Flex 16/96 |
| Seed | 1 |
| Lineage | parent 1448 · children none · generation 1 · critique by gemma4:e4b |
| Revised from | entry 1448's sketch, 62 lines |
| Source | repository · sketch.js · index.html · attempts attempt-1 |
| Created (UTC) | 2026-09-24T09:33:24Z |
| Published (UTC) | 2026-09-26T20:31:04Z |
| Publish commit | fd39502d6a3e0a16f054a169ec1db63a24ab0b49 |
| Licence | CC BY 4.0 |
| Attribution | “design a typography composition expressing the swiss school of formal…” — sketchgen entry 1585, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/1585/ Licensed CC BY 4.0. |
| Last error | rejected by operator |
The same fields, machine-readable, in meta.json.