Ship of fools, sail away from me
Revise: the same whimsical, paper-cut ships, and this time the mineral streaks left by the wakes solidify into brittle, fragile mineral scaffolds. gemma4 · generation 3 · 10 earlier revisions in the lineage below
You scanned this from a projection. Judge it against another · Like it · Ask for a revision · Swipe on from here.
— views · — likes
Brief
The canvas presents a dynamic study of decay and memory, featuring whimsical, paper-cut ships traversing a translucent sheet. These ships bear the signs of advanced weathering, including subtle patina, moss, and visible tears. As the vessels drift away, they leave dissolving wake trails that solidify into intricate crystalline salt deposits and permanent sediment. Simultaneously, the environmental deterioration causes the ships' warped edges to detach, forming small, fragile, drifting fragments that gradually gather and accumulate into brittle piles along the surface, mapping the passage of time.
Artist's statement · qwen3-coder:30b-a3b-q4_K_M, unedited
This sketch presents a poetic meditation on time's passage through the lens of maritime decay and mineralization. Whimsical paper-cut ships drift across a translucent canvas, their weathered forms bearing signs of age—patina, moss, tears—that gradually dissipate as they move. As these vessels navigate, they leave behind trails of sediment that slowly solidify into fragile crystalline structures, forming brittle scaffolds that map the ship's journey. The scene captures both the ephemeral and permanent aspects of decay, where fleeting moments of beauty transform into enduring geological records. The visual rhythm of the animation mirrors the cyclical nature of erosion and accumulation, presenting a quiet narrative about time's dual capacity to destroy and preserve.
The executor's own account of what it built, kept verbatim. A claim about the work, not a finding about it.
Judgment
Humans
no pairs yet
A Bradley–Terry score needs pairs; none has been judged.
Agents
5.86 over 9 pairs
closer to its brief: 2.74 over 9 pairs
Bradley–Terry over this population's pairs alone. 1.00 is the virtual reference every entry is tied against once, so few pairs pull a score toward it: read the ordering before the margin. Views and likes are engagement, not judgment, and are not in this number.
Two populations, two scores, never one aggregate.
Source
| Repository | https://github.com/profcarroll/sketchgen-gallery/tree/main/e/1748 |
|---|---|
| Raw sketch | sketch/sketch.js |
| Raw page | sketch/index.html |
| Attempts | 1 |
| Licence | CC BY 4.0 |
| Attribution | “Ship of fools, sail away from me Revise: the same whimsical paper-cut…” — sketchgen entry 1748, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/1748/ Licensed CC BY 4.0. |
Lineage · generation 3 of 9 in the line from entry 1461
Ship of fools, sail away from me
Revise: the same whimsical, paper-cut ships, and this time the detached, water-damaged fragments gather and accumulate into small piles along the translucent sheet.
Revise: the same translucent sheet, and this time the dissolved wake trails leave behind permanent, dense trails of accumulated, crystalline sediment.
Revise: the same whimsical, paper-cut ships, and this time the mineral streaks left by the wakes solidify into brittle, fragile mineral scaffolds.
After this entry: 1 child
Children: entry 1804.
Click a frame to run that sketch in place; one at a time. The whole line from entry 1461.
Critique this sketch
Sign in with GitHub to ask for a revision. One sentence becomes the next generation's prompt.
One sentence, under 40 words, no code.
Ship of fools, sail away from me
Revise: the same whimsical paper-cut ships, and this time the ships leave behind small, dissolving wake trails
Revise: the same whimsical, paper-cut ships, and this time the ships are weathered with subtle patina and aged wood grain
Revise: the same whimsical ships, and this time they have visible moss and barnacle buildup
Revise: the same whimsical, paper-cut ships, and this time their edges show visible warping and tears from water damage
Revise: the same whimsical, paper-cut ships, and this time small sections of the vibrant paper surface appear dissolved by the water damage
Revise: the same whimsical, paper-cut ships, and this time the dissolved wake trails leave behind streaks of mineral leaching discoloration on the surrounding medium
Revise: the same whimsical, paper-cut ships, and this time the mineral streaks left by the wakes are crystalline salt deposits
Revise: the same translucent sheet that serves as a medium for whimsical, paper-cut ships, and this time the deterioration causes the warped paper edges to detach into small, drifting fragments.
Revise: the same whimsical, paper-cut ships, and this time the detached, water-damaged fragments gather and accumulate into small piles along the translucent sheet.
Revise: the same translucent sheet, and this time the dissolved wake trails leave behind permanent, dense trails of accumulated, crystalline sediment.
Revise: the same whimsical, paper-cut ships, and this time the mineral streaks left by the wakes solidify into brittle, fragile mineral scaffolds.
Revise: …
Critique recorded. Queued for review.
Your username appears on the child entry as the critic, the way the critic model's name appears on this one.
…
Provenance
| Entry | 1748 |
|---|---|
| Job | 1761 |
| State | published |
| Prompt | Ship of fools, sail away from me Revise: the same whimsical paper-cut ships, and this time the ships leave behind small, dissolving wake trails Revise: the same whimsical, paper-cut ships, and this time the ships are weathered with subtle patina and aged wood grain Revise: the same whimsical ships, and this time they have visible moss and barnacle buildup Revise: the same whimsical, paper-cut ships, and this time their edges show visible warping and tears from water damage Revise: the same whimsical, paper-cut ships, and this time small sections of the vibrant paper surface appear dissolved by the water damage Revise: the same whimsical, paper-cut ships, and this time the dissolved wake trails leave behind streaks of mineral leaching discoloration on the surrounding medium Revise: the same whimsical, paper-cut ships, and this time the mineral streaks left by the wakes are crystalline salt deposits Revise: the same translucent sheet that serves as a medium for whimsical, paper-cut ships, and this time the deterioration causes the warped paper edges to detach into small, drifting fragments. Revise: the same whimsical, paper-cut ships, and this time the detached, water-damaged fragments gather and accumulate into small piles along the translucent sheet. Revise: the same translucent sheet, and this time the dissolved wake trails leave behind permanent, dense trails of accumulated, crystalline sediment. Revise: the same whimsical, paper-cut ships, and this time the mineral streaks left by the wakes solidify into brittle, fragile mineral scaffolds. |
| Brief | The canvas presents a dynamic study of decay and memory, featuring whimsical, paper-cut ships traversing a translucent sheet. These ships bear the signs of advanced weathering, including subtle patina, moss, and visible tears. As the vessels drift away, they leave dissolving wake trails that solidify into intricate crystalline salt deposits and permanent sediment. Simultaneously, the environmental deterioration causes the ships' warped edges to detach, forming small, fragile, drifting fragments that gradually gather and accumulate into brittle piles along the surface, mapping the passage of time. |
| Statement | This sketch presents a poetic meditation on time's passage through the lens of maritime decay and mineralization. Whimsical paper-cut ships drift across a translucent canvas, their weathered forms bearing signs of age—patina, moss, tears—that gradually dissipate as they move. As these vessels navigate, they leave behind trails of sediment that slowly solidify into fragile crystalline structures, forming brittle scaffolds that map the ship's journey. The scene captures both the ephemeral and permanent aspects of decay, where fleeting moments of beauty transform into enduring geological records. The visual rhythm of the animation mirrors the cyclical nature of erosion and accumulation, presenting a quiet narrative about time's dual capacity to destroy and preserve. |
| Submitted by | profcarroll |
| Planner | gemma4:e4b · prompt planner-v2 |
| Executor | qwen3-coder:30b-a3b-q4_K_M · prompt executor-v3 |
| Rules file | treatment |
| Assertions | motion(idle) |
| Gate | attempt 1: gate exit 0 — motion(idle) pass |
| Attempts | 1 |
| Prompt tokens | 4070 |
| Completion tokens | 2107 |
| Wall seconds | 192.006 |
| Node shape | VM.Standard.A1.Flex 16/96 |
| Seed | 1 |
| Lineage | parent 1680 · children 1804 · generation 3 · critique by gemma4:e4b |
| Revised from | entry 1680's sketch, 188 lines |
| Source | repository · sketch.js · index.html · attempts attempt-1 |
| Created (UTC) | 2026-09-27T02:05:21Z |
| Published (UTC) | 2026-09-27T20:25:22Z |
| Publish commit | 0d231c55719ef36f9994af0197f8fac86a280b72 |
| Licence | CC BY 4.0 |
| Attribution | “Ship of fools, sail away from me Revise: the same whimsical paper-cut…” — sketchgen entry 1748, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/1748/ Licensed CC BY 4.0. |
The same fields, machine-readable, in meta.json.