sketchgen

a self-critiquing, self-generating synthetic p5.js gallery running self-hosted models unless marked otherwise

choose a famous film's opening title sequence and try to mimic it.

Revise: the same continuously evolving field of complex geometric shapes and abstract lines, and this time the distortion vectors will be controlled by a Fibonacci sequence. gemma4 · generation 6 · 5 earlier revisions in the lineage below

Prompt by profcarroll. Planned by gemma4:e4b, written by qwen3-coder:30b-a3b-q4_K_M.

Rejected by the operator: derivative

seed 1 · entry 204 · rejected · operator

— views · — likes

Brief

The canvas displays a continuously evolving field of complex geometric shapes and abstract lines. The forms are never static, exhibiting continuous, intricate warping and tessellating distortions across the plane. These spatial distortions are highly structured, following the mathematical growth pattern dictated by the Fibonacci sequence. The colors transition and breathe subtly as the shapes warp, creating a dynamic interplay between ordered complexity and apparent depth. The entire visual experience is autonomous, maintaining a sense of perpetual, self-sustaining motion without requiring any user interaction.

Artist's statement · qwen3-coder:30b-a3b-q4_K_M, unedited

This sketch creates a continuously evolving field of geometric forms that warp and tessellate according to Fibonacci-based growth patterns. The visual system generates an intricate, self-sustaining motion using mathematical progression to structure the distortions, while subtle color transitions enhance the sense of depth and life in the composition.

The executor's own account of what it built, kept verbatim. A claim about the work, not a finding about it.

Judgment

humans: look 160th of 258 (0.57 over 1 pair) · brief 160th of 259 (0.57 over 1 pair)
humans: neither→ rather look at it · ↑ closer to its brief

Humans

0.57 over 1 pair

closer to its brief: 0.57 over 1 pair

Bradley–Terry over this population's pairs alone. 1.00 is the virtual reference every entry is tied against once, so few pairs pull a score toward it: read the ordering before the margin. Views and likes are engagement, not judgment, and are not in this number.

Agents

no pairs yet

A Bradley–Terry score needs pairs; none has been judged.

Judge it against another

Two populations, two scores, never one aggregate.

Source

Repositoryhttps://github.com/profcarroll/sketchgen-gallery/tree/main/e/204
Raw sketchsketch/sketch.js
Raw pagesketch/index.html
Attempts1
LicenceCC BY 4.0
Attribution“choose a famous film's opening title sequence and try to mimic it. Re…” — sketchgen entry 204, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the control rules file. https://profcarroll.github.io/sketchgen-gallery/e/204/ Licensed CC BY 4.0.
Scan to open this entry on a phone · https://profcarroll.github.io/sketchgen-gallery/e/204/

Lineage · generation 6 of 11 in the line from entry 34

  1. choose a famous film's opening title sequence and try to mimic it.

    entry 34 · root · profcarroll

  2. 3 generations folded · 45, 67, 71 · by gemma4 and profcarroll
    1. Revise: the same evolving abstract shapes and lines, and this time the shapes will exhibit controlled, periodic pulsatility.

      entry 45 · generation 1 · gemma4

    2. Revise: the same dynamic interplay of abstract lines and geometric shapes, and this time the colors will exhibit chromatic shifting and rippling.

      entry 67 · generation 2 · gemma4

    3. Revise: try again, needs more sophistiacted sense of space, form and movement

      entry 71 · generation 3 · profcarroll

  3. Revise: the same evolving abstract lines and complex geometric shapes, and this time the forms will exhibit localized warping and tessellating distortions

    entry 100 · generation 4 · gemma4

  4. Revise: the same evolving abstract lines and complex geometric shapes, and this time the distortions will follow a controlled, sinusoidal frequency.

    entry 141 · generation 5 · gemma4

  5. Revise: the same continuously evolving field of complex geometric shapes and abstract lines, and this time the distortion vectors will be controlled by a Fibonacci sequence.

    entry 204 · generation 6 · gemma4


No children yet.

No children yet.

Click a frame to run that sketch in place; one at a time. The whole line from entry 34.

Provenance

Entry204
Job205
Staterejected
Promptchoose a famous film's opening title sequence and try to mimic it. Revise: the same evolving abstract shapes and lines, and this time the shapes will exhibit controlled, periodic pulsatility. Revise: the same dynamic interplay of abstract lines and geometric shapes, and this time the colors will exhibit chromatic shifting and rippling. Revise: try again, needs more sophistiacted sense of space, form and movement Revise: the same evolving abstract lines and complex geometric shapes, and this time the forms will exhibit localized warping and tessellating distortions Revise: the same evolving abstract lines and complex geometric shapes, and this time the distortions will follow a controlled, sinusoidal frequency. Revise: the same continuously evolving field of complex geometric shapes and abstract lines, and this time the distortion vectors will be controlled by a Fibonacci sequence.
BriefThe canvas displays a continuously evolving field of complex geometric shapes and abstract lines. The forms are never static, exhibiting continuous, intricate warping and tessellating distortions across the plane. These spatial distortions are highly structured, following the mathematical growth pattern dictated by the Fibonacci sequence. The colors transition and breathe subtly as the shapes warp, creating a dynamic interplay between ordered complexity and apparent depth. The entire visual experience is autonomous, maintaining a sense of perpetual, self-sustaining motion without requiring any user interaction.
StatementThis sketch creates a continuously evolving field of geometric forms that warp and tessellate according to Fibonacci-based growth patterns. The visual system generates an intricate, self-sustaining motion using mathematical progression to structure the distortions, while subtle color transitions enhance the sense of depth and life in the composition.
Submitted byprofcarroll
Plannergemma4:e4b · prompt planner-v1
Executorqwen3-coder:30b-a3b-q4_K_M · prompt executor-v2
Rules filecontrol
Assertionsmotion(idle)
Gateattempt 1: gate exit 0 — motion(idle) pass
Attempts1
Prompt tokens1527
Completion tokens851
Wall seconds80.619
Node shapeVM.Standard.A1.Flex 16/94
Seed1
Lineageparent 141 · children none · generation 6 · critique by gemma4:e4b
Sourcerepository · sketch.js · index.html · attempts attempt-1
Created (UTC)2026-09-15T03:16:06Z
Published (UTC)2026-09-15T17:23:39Z
Publish commit05ec940df0d022e6c5e6a82e7504a73b09cbd38a
LicenceCC BY 4.0
Attribution“choose a famous film's opening title sequence and try to mimic it. Re…” — sketchgen entry 204, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the control rules file. https://profcarroll.github.io/sketchgen-gallery/e/204/ Licensed CC BY 4.0.
Last errorderivative

The same fields, machine-readable, in meta.json.