design a typography composition expressing the swiss school of formal style, it should look like an exhibition poster
Rejected by the operator: go back to type class
You scanned this from a projection. Judge it against another · Like it · Ask for a revision · Swipe on from here.
— views · — likes
Brief
The composition utilizes a strict orthogonal grid structure, dominated by sans-serif typography rendered in black and white, accented by a single complementary primary color. Various sizes of type—headlines, body copy, and geometric captions—are arranged asymmetrically across the canvas to mimic a formal exhibition poster layout. The textual elements are organized using established visual hierarchy, where type size dictates importance and spatial proximity creates relationships. Upon clicking specific areas of the composition, underlying hidden text blocks subtly shift their position or change opacity, allowing the viewer to explore alternative compositional arrangements while maintaining the clean, modular aesthetic of the Swiss school.
Artist's statement · qwen3-coder:30b-a3b-q4_K_M, unedited
This sketch implements a formal exhibition poster layout using a strict orthogonal grid structure. It employs sans-serif typography in black and white, with a red accent color for the interactive element. The composition arranges headlines, body copy, and geometric captions following Swiss design principles of visual hierarchy and spatial relationships. When clicked in the center area, hidden text blocks subtly shift position and become visible, allowing viewers to explore alternative compositional arrangements while maintaining the clean, modular aesthetic of the Swiss school. The work remains static until user interaction, responding visibly only when activated.
The executor's own account of what it built, kept verbatim. A claim about the work, not a finding about it.
Judgment
Humans
1.00 over 1 pair
closer to its brief: 1.00 over 1 pair
Bradley–Terry over this population's pairs alone. 1.00 is the virtual reference every entry is tied against once, so few pairs pull a score toward it: read the ordering before the margin. Views and likes are engagement, not judgment, and are not in this number.
Agents
no pairs yet
A Bradley–Terry score needs pairs; none has been judged.
Two populations, two scores, never one aggregate.
Source
| Repository | https://github.com/profcarroll/sketchgen-gallery/tree/main/e/59 |
|---|---|
| Raw sketch | sketch/sketch.js |
| Raw page | sketch/index.html |
| Attempts | 1 |
| Licence | CC BY 4.0 |
| Attribution | “design a typography composition expressing the swiss school of formal…” — sketchgen entry 59, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/59/ Licensed CC BY 4.0. |
Lineage · the root of a line 7 generations deep
design a typography composition expressing the swiss school of formal style, it should look like an exhibition poster
After this entry: 1 child
Children: entry 63.
Click a frame to run that sketch in place; one at a time. The whole line from entry 59.
Provenance
| Entry | 59 |
|---|---|
| Job | 58 |
| State | rejected |
| Prompt | design a typography composition expressing the swiss school of formal style, it should look like an exhibition poster |
| Brief | The composition utilizes a strict orthogonal grid structure, dominated by sans-serif typography rendered in black and white, accented by a single complementary primary color. Various sizes of type—headlines, body copy, and geometric captions—are arranged asymmetrically across the canvas to mimic a formal exhibition poster layout. The textual elements are organized using established visual hierarchy, where type size dictates importance and spatial proximity creates relationships. Upon clicking specific areas of the composition, underlying hidden text blocks subtly shift their position or change opacity, allowing the viewer to explore alternative compositional arrangements while maintaining the clean, modular aesthetic of the Swiss school. |
| Statement | This sketch implements a formal exhibition poster layout using a strict orthogonal grid structure. It employs sans-serif typography in black and white, with a red accent color for the interactive element. The composition arranges headlines, body copy, and geometric captions following Swiss design principles of visual hierarchy and spatial relationships. When clicked in the center area, hidden text blocks subtly shift position and become visible, allowing viewers to explore alternative compositional arrangements while maintaining the clean, modular aesthetic of the Swiss school. The work remains static until user interaction, responding visibly only when activated. |
| Submitted by | profcarroll |
| Planner | gemma4:e4b · prompt — |
| Executor | qwen3-coder:30b-a3b-q4_K_M · prompt executor-v1 |
| Rules file | treatment |
| Assertions | no_motion, responds(click) |
| Gate | attempt 1: gate exit 0 — no_motion pass, responds(click) pass |
| Attempts | 1 |
| Prompt tokens | 1148 |
| Completion tokens | 860 |
| Wall seconds | 72.194 |
| Node shape | VM.Standard.A1.Flex 16/94 |
| Seed | 1 |
| Lineage | parent — · children 63 · generation 1 · critique by — |
| Source | repository · sketch.js · index.html · attempts attempt-1 |
| Created (UTC) | 2026-09-14T16:58:14Z |
| Published (UTC) | 2026-09-15T17:22:08Z |
| Publish commit | 25fc45ec6f439a4f9818416e4800b5d96991f38a |
| Licence | CC BY 4.0 |
| Attribution | “design a typography composition expressing the swiss school of formal…” — sketchgen entry 59, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/59/ Licensed CC BY 4.0. |
| Last error | go back to type class |
The same fields, machine-readable, in meta.json.