study the works of Mark Rothko and then make a composition inspired by the artist's signature forms and use of color.
Revise: the same overlapping planes of rich, softly defined color, and this time the subtle chroma shift should briefly intensify the central vertical dividing lines. gemma4 · generation 3 · 2 earlier revisions in the lineage below
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Brief
The canvas displays large, softly overlapping planes of deep, rich color, creating atmospheric washes that blend and interact across the surface. The composition is defined by these layered, saturated fields of color, which gently drift and interact with one another. These overlapping planes are vertically structured, and periodically, the colors undergo a subtle, rhythmic chroma shift. This shift does not affect the overall color palette, but instead momentarily intensifies and sharpens the defining boundaries of the central vertical lines, drawing the viewer's eye through the core of the composition.
Artist's statement · qwen3-coder:30b-a3b-q4_K_M, unedited
This sketch creates atmospheric color washes through layered vertical planes that gently drift and interact across the canvas. Each plane moves at a different speed and carries its own hue offset, creating a sense of depth and motion. The composition features a subtle rhythmic chroma shift that intensifies the central boundaries of the planes, drawing the viewer's eye through the core of the work. The colors are rich and saturated but softly blended, with overlapping planes creating complex interactions where hues mix and modulate over time. The effect is one of slow, organic movement and color transformation, evoking atmospheric phenomena like cloud layers or light gradients in a landscape.
The executor's own account of what it built, kept verbatim. A claim about the work, not a finding about it.
Judgment
Humans
no pairs yet
A Bradley–Terry score needs pairs; none has been judged.
Agents
1.33 over 20 pairs
closer to its brief: 1.57 over 20 pairs
Bradley–Terry over this population's pairs alone. 1.00 is the virtual reference every entry is tied against once, so few pairs pull a score toward it: read the ordering before the margin. Views and likes are engagement, not judgment, and are not in this number.
Two populations, two scores, never one aggregate.
Source
| Repository | https://github.com/profcarroll/sketchgen-gallery/tree/main/e/688 |
|---|---|
| Raw sketch | sketch/sketch.js |
| Raw page | sketch/index.html |
| Attempts | 1 |
| Licence | CC BY 4.0 |
| Attribution | “study the works of Mark Rothko and then make a composition inspired b…” — sketchgen entry 688, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/688/ Licensed CC BY 4.0. |
Lineage · generation 3 of 15 in the line from entry 35
study the works of Mark Rothko and then make a composition inspired by the artist's signature forms and use of color.
Revise: the same overlapping color fields, and this time the diffusion should subtly shift the saturation of the outer layer.
Revise: the same overlapping, softly defined fields of rich color, and this time the intensity of the chromatic shift should pulse rhythmically across the composition.
Revise: the same overlapping planes of rich, softly defined color, and this time the subtle chroma shift should briefly intensify the central vertical dividing lines.
After this entry: 1 child
Children: entry 742.
Click a frame to run that sketch in place; one at a time. The whole line from entry 35.
Critique this sketch
Sign in with GitHub to ask for a revision. One sentence becomes the next generation's prompt.
One sentence, under 40 words, no code.
study the works of Mark Rothko and then make a composition inspired by the artist's signature forms and use of color.
Revise: the same overlapping color fields, and this time the diffusion should subtly shift the saturation of the outer layer.
Revise: the same overlapping, softly defined fields of rich color, and this time the intensity of the chromatic shift should pulse rhythmically across the composition.
Revise: the same overlapping planes of rich, softly defined color, and this time the subtle chroma shift should briefly intensify the central vertical dividing lines.
Revise: …
Critique recorded. Queued for review.
Your username appears on the child entry as the critic, the way the critic model's name appears on this one.
…
Provenance
| Entry | 688 |
|---|---|
| Job | 689 |
| State | published |
| Prompt | study the works of Mark Rothko and then make a composition inspired by the artist's signature forms and use of color. Revise: the same overlapping color fields, and this time the diffusion should subtly shift the saturation of the outer layer. Revise: the same overlapping, softly defined fields of rich color, and this time the intensity of the chromatic shift should pulse rhythmically across the composition. Revise: the same overlapping planes of rich, softly defined color, and this time the subtle chroma shift should briefly intensify the central vertical dividing lines. |
| Brief | The canvas displays large, softly overlapping planes of deep, rich color, creating atmospheric washes that blend and interact across the surface. The composition is defined by these layered, saturated fields of color, which gently drift and interact with one another. These overlapping planes are vertically structured, and periodically, the colors undergo a subtle, rhythmic chroma shift. This shift does not affect the overall color palette, but instead momentarily intensifies and sharpens the defining boundaries of the central vertical lines, drawing the viewer's eye through the core of the composition. |
| Statement | This sketch creates atmospheric color washes through layered vertical planes that gently drift and interact across the canvas. Each plane moves at a different speed and carries its own hue offset, creating a sense of depth and motion. The composition features a subtle rhythmic chroma shift that intensifies the central boundaries of the planes, drawing the viewer's eye through the core of the work. The colors are rich and saturated but softly blended, with overlapping planes creating complex interactions where hues mix and modulate over time. The effect is one of slow, organic movement and color transformation, evoking atmospheric phenomena like cloud layers or light gradients in a landscape. |
| Submitted by | profcarroll |
| Planner | gemma4:e4b · prompt planner-v1+lenient |
| Executor | qwen3-coder:30b-a3b-q4_K_M · prompt executor-v2 |
| Rules file | treatment |
| Assertions | motion(idle) |
| Gate | attempt 1: gate exit 0 — motion(idle) pass |
| Attempts | 1 |
| Prompt tokens | 2210 |
| Completion tokens | 681 |
| Wall seconds | 91.286 |
| Node shape | VM.Standard.A1.Flex 16/94 |
| Seed | 1 |
| Lineage | parent 602 · children 742 · generation 3 · critique by gemma4:e4b |
| Source | repository · sketch.js · index.html · attempts attempt-1 |
| Created (UTC) | 2026-09-17T15:08:52Z |
| Published (UTC) | 2026-09-17T19:48:34Z |
| Publish commit | dcbc0bce212f91c680ee2b31cb8a1ba839afdf54 |
| Licence | CC BY 4.0 |
| Attribution | “study the works of Mark Rothko and then make a composition inspired b…” — sketchgen entry 688, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/688/ Licensed CC BY 4.0. |
The same fields, machine-readable, in meta.json.