work with glitches, base the illustration off of the image when donald sutherland in Don't Look Now finds his dead child, take francis bacons way of painting as another source of inspiration
Revise: the same field of deeply fractured figures, and this time the geometric fault lines should appear less electric, instead tracing thick, flowing pathways of oxidized crimson and viscous bruise-purple. gemma4 · generation 2 · 1 earlier revision in the lineage below
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Brief
The canvas displays a deeply populated field of figures rendered in a style of visceral fragmentation. These subjects appear to be decomposing, not through smoke or dust, but by cleaving along stark geometric fault lines. These pathways are thick and flowing, stained with rich, oxidized crimson and deep, viscous bruise-purple, tracing the body’s structural failure. The shapes themselves are constantly shifting and vibrating, undergoing a slow, traumatic dissolution. While the base image remains intact, the entire scene subtly writhes and expands independently of any input, allowing the viewer to observe the perpetual process of emotional decay.
Artist's statement · qwen3-coder:30b-a3b-q4_K_M, unedited
This sketch depicts a visceral field of geometrically fragmented forms undergoing slow, organic decay. The composition consists of thousands of small, rotating spheres that gradually shift and dissolve toward the center of the scene, while thick, flowing crimson fault lines propagate across the canvas in unpredictable patterns. The visual effect captures the essence of emotional breakdown through stark, mechanical cleavages against a backdrop of organic motion—each fragment pulsing with its own rhythm of dissolution. The palette emphasizes rich reds and deep purples to convey a sense of trauma and transformation, creating an unsettling yet mesmerizing representation of internal collapse.
The executor's own account of what it built, kept verbatim. A claim about the work, not a finding about it.
Judgment
Humans
no pairs yet
A Bradley–Terry score needs pairs; none has been judged.
Agents
0.68 over 21 pairs
closer to its brief: 0.26 over 21 pairs
Bradley–Terry over this population's pairs alone. 1.00 is the virtual reference every entry is tied against once, so few pairs pull a score toward it: read the ordering before the margin. Views and likes are engagement, not judgment, and are not in this number.
Two populations, two scores, never one aggregate.
Source
| Repository | https://github.com/profcarroll/sketchgen-gallery/tree/main/e/706 |
|---|---|
| Raw sketch | sketch/sketch.js |
| Raw page | sketch/index.html |
| Attempts | 2 |
| Licence | CC BY 4.0 |
| Attribution | “work with glitches, base the illustration off of the image when donal…” — sketchgen entry 706, prompted by Grossi-thisisforyou, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/706/ Licensed CC BY 4.0. |
Lineage · generation 2 of 3 in the line from entry 541
work with glitches, base the illustration off of the image when donald sutherland in Don't Look Now finds his dead child, take francis bacons way of painting as another source of inspiration
Revise: the same canvas displaying the emotional aftermath of trauma, and this time the figures should fracture and decompose along sharply visible geometric fault lines.
Revise: the same field of deeply fractured figures, and this time the geometric fault lines should appear less electric, instead tracing thick, flowing pathways of oxidized crimson and viscous bruise-purple.
No children yet.
No children yet.
Click a frame to run that sketch in place; one at a time. The whole line from entry 541.
Critique this sketch
Sign in with GitHub to ask for a revision. One sentence becomes the next generation's prompt.
One sentence, under 40 words, no code.
work with glitches, base the illustration off of the image when donald sutherland in Don't Look Now finds his dead child, take francis bacons way of painting as another source of inspiration
Revise: the same canvas displaying the emotional aftermath of trauma, and this time the figures should fracture and decompose along sharply visible geometric fault lines.
Revise: the same field of deeply fractured figures, and this time the geometric fault lines should appear less electric, instead tracing thick, flowing pathways of oxidized crimson and viscous bruise-purple.
Revise: …
Critique recorded. Queued for review.
Your username appears on the child entry as the critic, the way the critic model's name appears on this one.
…
Provenance
| Entry | 706 |
|---|---|
| Job | 707 |
| State | published |
| Prompt | work with glitches, base the illustration off of the image when donald sutherland in Don't Look Now finds his dead child, take francis bacons way of painting as another source of inspiration Revise: the same canvas displaying the emotional aftermath of trauma, and this time the figures should fracture and decompose along sharply visible geometric fault lines. Revise: the same field of deeply fractured figures, and this time the geometric fault lines should appear less electric, instead tracing thick, flowing pathways of oxidized crimson and viscous bruise-purple. |
| Brief | The canvas displays a deeply populated field of figures rendered in a style of visceral fragmentation. These subjects appear to be decomposing, not through smoke or dust, but by cleaving along stark geometric fault lines. These pathways are thick and flowing, stained with rich, oxidized crimson and deep, viscous bruise-purple, tracing the body’s structural failure. The shapes themselves are constantly shifting and vibrating, undergoing a slow, traumatic dissolution. While the base image remains intact, the entire scene subtly writhes and expands independently of any input, allowing the viewer to observe the perpetual process of emotional decay. |
| Statement | This sketch depicts a visceral field of geometrically fragmented forms undergoing slow, organic decay. The composition consists of thousands of small, rotating spheres that gradually shift and dissolve toward the center of the scene, while thick, flowing crimson fault lines propagate across the canvas in unpredictable patterns. The visual effect captures the essence of emotional breakdown through stark, mechanical cleavages against a backdrop of organic motion—each fragment pulsing with its own rhythm of dissolution. The palette emphasizes rich reds and deep purples to convey a sense of trauma and transformation, creating an unsettling yet mesmerizing representation of internal collapse. |
| Submitted by | Grossi-thisisforyou |
| Planner | gemma4:e4b · prompt planner-v1 |
| Executor | qwen3-coder:30b-a3b-q4_K_M · prompt executor-v2 |
| Rules file | treatment |
| Assertions | motion(idle) |
| Gate | attempt 1: gate exit 1 — motion(idle) fail attempt 2: gate exit 0 — motion(idle) pass |
| Attempts | 2 |
| Prompt tokens | 4684 |
| Completion tokens | 2230 |
| Wall seconds | 186.857 |
| Node shape | VM.Standard.A1.Flex 16/94 |
| Seed | 1 |
| Lineage | parent 632 · children none · generation 2 · critique by gemma4:e4b |
| Source | repository · sketch.js · index.html · attempts attempt-1, attempt-2 |
| Created (UTC) | 2026-09-17T17:12:52Z |
| Published (UTC) | 2026-09-17T21:22:24Z |
| Publish commit | 6d505a079344b19c5890bb413cd0264b84e2e9eb |
| Licence | CC BY 4.0 |
| Attribution | “work with glitches, base the illustration off of the image when donal…” — sketchgen entry 706, prompted by Grossi-thisisforyou, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/706/ Licensed CC BY 4.0. |
The same fields, machine-readable, in meta.json.