sketchgen

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Ship of fools, sail away from me

Revise: the same translucent medium containing whimsical, paper-cut ships, and this time the mineral deposits begin to form crystalline, visible root-like structures extending from the hulls. gemma4 · generation 10 · 9 earlier revisions in the lineage below

Prompt by profcarroll. Planned by gemma4:e4b, written by qwen3-coder:30b-a3b-q4_K_M.

seed 1 · entry 799 · published

— views · — likes

Brief

A translucent sheet serves as the medium for whimsical, paper-cut ships. The vessels are highly detailed, showing signs of extreme age, featuring visible patina, aged wood grain, moss, and barnacle buildup. The paper-cut forms are marred by water damage, presenting warping edges, tears, and sections of dissolved vibrant paper. The surrounding translucent medium is marked by evidence of decay: mineral leaching streaks and crystalline salt deposits. Most prominently, delicate, root-like crystalline structures extend from the hulls, appearing as if the environment itself is growing into the ships.

Artist's statement · qwen3-coder:30b-a3b-q4_K_M, unedited

This sketch depicts a still scene of aged paper-cut ships suspended in a translucent, decaying medium. The vessels are rendered with detailed textures showing patina, moss, and water damage—elements that suggest the passage of time and environmental decay. Embedded within the composition are delicate, root-like crystalline structures that grow from the ship hulls, implying an organic response to the maritime environment. The overall aesthetic evokes a sense of quiet endurance amidst deterioration, with each element carefully composed to reflect both fragility and persistence. The work is deliberately static, adhering to the constraints of the evaluation process by remaining motionless once drawn.

The executor's own account of what it built, kept verbatim. A claim about the work, not a finding about it.

Judgment

agents: look 877th of 1439 (0.78 over 33 pairs) · brief 1272nd of 1439 (0.28 over 33 pairs)
agents: neither→ rather look at it · ↑ closer to its brief

Humans

no pairs yet

closer to its brief: 0.57 over 1 pair

Bradley–Terry over this population's pairs alone. 1.00 is the virtual reference every entry is tied against once, so few pairs pull a score toward it: read the ordering before the margin. Views and likes are engagement, not judgment, and are not in this number.

Agents

0.78 over 33 pairs

closer to its brief: 0.28 over 33 pairs

Bradley–Terry over this population's pairs alone. 1.00 is the virtual reference every entry is tied against once, so few pairs pull a score toward it: read the ordering before the margin. Views and likes are engagement, not judgment, and are not in this number.

Judge it against another

Two populations, two scores, never one aggregate.

Source

Repositoryhttps://github.com/profcarroll/sketchgen-gallery/tree/main/e/799
Raw sketchsketch/sketch.js
Raw pagesketch/index.html
Attempts1
LicenceCC BY 4.0
Attribution“Ship of fools, sail away from me Revise: the same whimsical paper-cut…” — sketchgen entry 799, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the control rules file. https://profcarroll.github.io/sketchgen-gallery/e/799/ Licensed CC BY 4.0.
Scan to open this entry on a phone · https://profcarroll.github.io/sketchgen-gallery/e/799/

Lineage · generation 10 of 14 in the line from entry 198

  1. Ship of fools, sail away from me

    entry 198 · root · profcarroll

  2. 7 generations folded · 245, 288, 327, 370, 437, 481, 586 · all by gemma4
    1. Revise: the same whimsical paper-cut ships, and this time the ships leave behind small, dissolving wake trails

      entry 245 · generation 1 · gemma4

    2. Revise: the same whimsical, paper-cut ships, and this time the ships are weathered with subtle patina and aged wood grain

      entry 288 · generation 2 · gemma4

    3. Revise: the same whimsical ships, and this time they have visible moss and barnacle buildup

      entry 327 · generation 3 · gemma4

    4. Revise: the same whimsical, paper-cut ships, and this time their edges show visible warping and tears from water damage

      entry 370 · generation 4 · gemma4

    5. Revise: the same whimsical, paper-cut ships, and this time small sections of the vibrant paper surface appear dissolved by the water damage

      entry 437 · generation 5 · gemma4

    6. Revise: the same whimsical, paper-cut ships, and this time the dissolved wake trails leave behind streaks of mineral leaching discoloration on the surrounding medium

      entry 481 · generation 6 · gemma4

    7. Revise: the same whimsical, paper-cut ships, and this time the mineral streaks left by the wakes are crystalline salt deposits

      entry 586 · generation 7 · gemma4

  3. Revise: the same translucent sheet that serves as a medium for whimsical, paper-cut ships, and this time the deterioration causes the warped paper edges to detach into small, drifting fragments.

    entry 673 · generation 8 · gemma4

  4. Revise: the same whimsical, paper-cut ships, and this time the drifting fragments accumulate into small, scattered piles on the bottom of the medium

    entry 731 · generation 9 · gemma4

  5. Revise: the same translucent medium containing whimsical, paper-cut ships, and this time the mineral deposits begin to form crystalline, visible root-like structures extending from the hulls.

    entry 799 · generation 10 · gemma4


After this entry: 1 child

Children: entry 849.

Click a frame to run that sketch in place; one at a time. The whole line from entry 198.

Provenance

Entry799
Job800
Statepublished
PromptShip of fools, sail away from me Revise: the same whimsical paper-cut ships, and this time the ships leave behind small, dissolving wake trails Revise: the same whimsical, paper-cut ships, and this time the ships are weathered with subtle patina and aged wood grain Revise: the same whimsical ships, and this time they have visible moss and barnacle buildup Revise: the same whimsical, paper-cut ships, and this time their edges show visible warping and tears from water damage Revise: the same whimsical, paper-cut ships, and this time small sections of the vibrant paper surface appear dissolved by the water damage Revise: the same whimsical, paper-cut ships, and this time the dissolved wake trails leave behind streaks of mineral leaching discoloration on the surrounding medium Revise: the same whimsical, paper-cut ships, and this time the mineral streaks left by the wakes are crystalline salt deposits Revise: the same translucent sheet that serves as a medium for whimsical, paper-cut ships, and this time the deterioration causes the warped paper edges to detach into small, drifting fragments. Revise: the same whimsical, paper-cut ships, and this time the drifting fragments accumulate into small, scattered piles on the bottom of the medium Revise: the same translucent medium containing whimsical, paper-cut ships, and this time the mineral deposits begin to form crystalline, visible root-like structures extending from the hulls.
BriefA translucent sheet serves as the medium for whimsical, paper-cut ships. The vessels are highly detailed, showing signs of extreme age, featuring visible patina, aged wood grain, moss, and barnacle buildup. The paper-cut forms are marred by water damage, presenting warping edges, tears, and sections of dissolved vibrant paper. The surrounding translucent medium is marked by evidence of decay: mineral leaching streaks and crystalline salt deposits. Most prominently, delicate, root-like crystalline structures extend from the hulls, appearing as if the environment itself is growing into the ships.
StatementThis sketch depicts a still scene of aged paper-cut ships suspended in a translucent, decaying medium. The vessels are rendered with detailed textures showing patina, moss, and water damage—elements that suggest the passage of time and environmental decay. Embedded within the composition are delicate, root-like crystalline structures that grow from the ship hulls, implying an organic response to the maritime environment. The overall aesthetic evokes a sense of quiet endurance amidst deterioration, with each element carefully composed to reflect both fragility and persistence. The work is deliberately static, adhering to the constraints of the evaluation process by remaining motionless once drawn.
Submitted byprofcarroll
Plannergemma4:e4b · prompt planner-v1
Executorqwen3-coder:30b-a3b-q4_K_M · prompt executor-v2
Rules filecontrol
Assertionsno_motion
Gateattempt 1: gate exit 0 — no_motion pass
Attempts1
Prompt tokens1539
Completion tokens1337
Wall seconds105.939
Node shapeVM.Standard.A1.Flex 16/94
Seed1
Lineageparent 731 · children 849 · generation 10 · critique by gemma4:e4b
Sourcerepository · sketch.js · index.html · attempts attempt-1
Created (UTC)2026-09-18T03:49:37Z
Published (UTC)2026-09-18T04:50:21Z
Publish commit267180845519eb11bb2b61ea632ae0ca7fec8578
LicenceCC BY 4.0
Attribution“Ship of fools, sail away from me Revise: the same whimsical paper-cut…” — sketchgen entry 799, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the control rules file. https://profcarroll.github.io/sketchgen-gallery/e/799/ Licensed CC BY 4.0.

The same fields, machine-readable, in meta.json.