design a typography composition expressing the swiss school of formal style, it should look like an exhibition poster
Revise: the same typography composition, and this time vary the negative space between the large geometric letterforms to create optical rhythm gemma4 · generation 4 · 3 earlier revisions in the lineage below
You scanned this from a projection. Judge it against another · Like it · Ask for a revision · Swipe on from here.
— views · — likes
Brief
The canvas displays a monumental typographic composition, rendered entirely in crisp, geometric sans-serif letterforms on a stark white background. The design operates under the strict principles of negative space and contrast, where the intentional void between elements is as important as the solid letters themselves. Large, foundational characters are rigorously aligned along a precise horizontal axis. The composition creates a palpable sense of visual rhythm; the viewer perceives the subtle, calculated variation in spacing, making the arrangement feel highly engineered and balanced, presenting a clean, authoritative statement of form.
Artist's statement · qwen3-coder:30b-a3b-q4_K_M, unedited
This sketch presents a monumental typographic composition using crisp, geometric sans-serif letterforms on a stark white background. Through rigorous alignment along a precise horizontal axis and calculated spacing variations, it creates a sense of visual rhythm and engineered balance. The design emphasizes negative space and contrast, where the intentional void between elements is as important as the solid letters themselves. The composition appears deliberately still, with each character positioned with mathematical precision to create an authoritative statement of form that fills the canvas without motion.
The executor's own account of what it built, kept verbatim. A claim about the work, not a finding about it.
Judgment
Humans
1.89 over 1 pair
closer to its brief: 1.62 over 1 pair
Bradley–Terry over this population's pairs alone. 1.00 is the virtual reference every entry is tied against once, so few pairs pull a score toward it: read the ordering before the margin. Views and likes are engagement, not judgment, and are not in this number.
Agents
no pairs yet
A Bradley–Terry score needs pairs; none has been judged.
Two populations, two scores, never one aggregate.
Source
| Repository | https://github.com/profcarroll/sketchgen-gallery/tree/main/e/172 |
|---|---|
| Raw sketch | sketch/sketch.js |
| Raw page | sketch/index.html |
| Attempts | 1 |
| Licence | CC BY 4.0 |
| Attribution | “design a typography composition expressing the swiss school of formal…” — sketchgen entry 172, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/172/ Licensed CC BY 4.0. |
Lineage · generation 4 of 7 in the line from entry 59
design a typography composition expressing the swiss school of formal style, it should look like an exhibition poster
Revise: revise with increase contrast between elements to practice what the poster preaches
Revise: publish failed: /home/ubuntu/sketchgen/gallery has uncommitted changes; commit or clean it before publishing
Revise: the same typographic composition, and this time re-align the large sans-serif letterforms along a stricter horizontal axis
Revise: the same typography composition, and this time vary the negative space between the large geometric letterforms to create optical rhythm
After this entry: 1 child
Children: entry 228.
Click a frame to run that sketch in place; one at a time. The whole line from entry 59.
Critique this sketch
Sign in with GitHub to ask for a revision. One sentence becomes the next generation's prompt.
One sentence, under 40 words, no code.
design a typography composition expressing the swiss school of formal style, it should look like an exhibition poster
Revise: revise with increase contrast between elements to practice what the poster preaches
Revise: publish failed: /home/ubuntu/sketchgen/gallery has uncommitted changes; commit or clean it before publishing
Revise: the same typographic composition, and this time re-align the large sans-serif letterforms along a stricter horizontal axis
Revise: the same typography composition, and this time vary the negative space between the large geometric letterforms to create optical rhythm
Revise: …
Critique recorded. Queued for review.
Your username appears on the child entry as the critic, the way the critic model's name appears on this one.
…
Provenance
| Entry | 172 |
|---|---|
| Job | 173 |
| State | published |
| Prompt | design a typography composition expressing the swiss school of formal style, it should look like an exhibition poster Revise: revise with increase contrast between elements to practice what the poster preaches Revise: publish failed: /home/ubuntu/sketchgen/gallery has uncommitted changes; commit or clean it before publishing Revise: the same typographic composition, and this time re-align the large sans-serif letterforms along a stricter horizontal axis Revise: the same typography composition, and this time vary the negative space between the large geometric letterforms to create optical rhythm |
| Brief | The canvas displays a monumental typographic composition, rendered entirely in crisp, geometric sans-serif letterforms on a stark white background. The design operates under the strict principles of negative space and contrast, where the intentional void between elements is as important as the solid letters themselves. Large, foundational characters are rigorously aligned along a precise horizontal axis. The composition creates a palpable sense of visual rhythm; the viewer perceives the subtle, calculated variation in spacing, making the arrangement feel highly engineered and balanced, presenting a clean, authoritative statement of form. |
| Statement | This sketch presents a monumental typographic composition using crisp, geometric sans-serif letterforms on a stark white background. Through rigorous alignment along a precise horizontal axis and calculated spacing variations, it creates a sense of visual rhythm and engineered balance. The design emphasizes negative space and contrast, where the intentional void between elements is as important as the solid letters themselves. The composition appears deliberately still, with each character positioned with mathematical precision to create an authoritative statement of form that fills the canvas without motion. |
| Submitted by | profcarroll |
| Planner | gemma4:e4b · prompt planner-v1 |
| Executor | qwen3-coder:30b-a3b-q4_K_M · prompt executor-v2 |
| Rules file | treatment |
| Assertions | no_motion |
| Gate | attempt 1: gate exit 0 — no_motion pass |
| Attempts | 1 |
| Prompt tokens | 2206 |
| Completion tokens | 380 |
| Wall seconds | 70.516 |
| Node shape | VM.Standard.A1.Flex 16/94 |
| Seed | 1 |
| Lineage | parent 120 · children 228 · generation 4 · critique by gemma4:e4b |
| Source | repository · sketch.js · index.html · attempts attempt-1 |
| Created (UTC) | 2026-09-15T00:40:35Z |
| Published (UTC) | 2026-09-15T00:47:02Z |
| Publish commit | 60eaed1dbb9cf7c67f6f6f0f1a0851045439cd1b |
| Licence | CC BY 4.0 |
| Attribution | “design a typography composition expressing the swiss school of formal…” — sketchgen entry 172, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/172/ Licensed CC BY 4.0. |
The same fields, machine-readable, in meta.json.