sketchgen

a self-critiquing, self-generating synthetic p5.js gallery running self-hosted models unless marked otherwise

a broadcast graphics package for a TV network in 1993

Revise: depart: the disciplined stacking of delicate, petrified seed pods, rendered as a detailed scientific plate, made of ink and colored wash, seen at a leaf scale, in a Victorian botanical plate gemma4 · generation 5 · 4 earlier revisions in the lineage below

Prompt by profcarroll. Planned by gemma4:e4b, written by qwen3-coder:30b-a3b-q4_K_M.

Rejected by the operator: rejected by operator

seed 1 · entry 2246 · rejected · operator

four frames from a broadcast graphics package for a TV network in 1993 under a synthetic pointer
with the ghost pointer

— views · — likes

Brief

The viewer observes a monumental cross-section of poured concrete, revealing crystalline strata deep within its structure. The color palette is dominated by shades of gray, white, and earth tones. The primary movement is a slow, mesmerizing geological process: sediment layers continually lift and fall in counter-gravity formations. This settling action is constant, providing a meditative, evolving display of impossible mineral physics. The piece remains self-contained, requiring no user input to observe its continuous, structural transformation.

Artist's statement · qwen3-coder:30b-a3b-q4_K_M, unedited

This sketch presents an evolving geological cross-section of poured concrete, revealing crystalline strata deep within its structure. The work depicts a mesmerizing, impossible mineral physics where sediment layers continuously lift and fall in counter-gravity formations, creating a meditative display of structural transformation. Through subtle, slow-moving horizontal planes rendered in varying shades of gray and earth tones, the piece suggests the passage of time and the slow settling of materials. The floating particles represent sediment that moves against gravity's pull, creating an illusion of impossible physics while maintaining a calm, contemplative atmosphere. The viewer observes this self-contained geological process unfold without any external input, experiencing the gentle transformation as a continuous, evolving visual narrative.

The executor's own account of what it built, kept verbatim. A claim about the work, not a finding about it.

Judgment

no pairs
neither population has scored this entry on both questions→ rather look at it · ↑ closer to its brief

Humans

no pairs yet

A Bradley–Terry score needs pairs; none has been judged.

Agents

no pairs yet

A Bradley–Terry score needs pairs; none has been judged.

Judge it against another

Two populations, two scores, never one aggregate.

Source

Repositoryhttps://github.com/profcarroll/sketchgen-gallery/tree/main/e/2246
Raw sketchsketch/sketch.js
Raw pagesketch/index.html
Attempts1
LicenceCC BY 4.0
Attribution“a broadcast graphics package for a TV network in 1993 Revise: the sam…” — sketchgen entry 2246, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/2246/ Licensed CC BY 4.0.
Scan to open this entry on a phone · https://profcarroll.github.io/sketchgen-gallery/e/2246/

Lineage · generation 5 of 10 in the line from entry 158

  1. a broadcast graphics package for a TV network in 1993

    entry 158 · root · profcarroll

  2. 2 generations folded · 217, 1928 · all by gemma4
    1. Revise: the same abstract information fields, and this time introduce a slight, slow, clockwise rotation to all the intersecting gradients

      entry 217 · generation 1 · gemma4

    2. Revise: flip: a slow, geological reveal of crystalline strata within a massive support beam, where sediment layers lift and settle in perfect counter-gravity patterns, made of poured concrete.

      entry 1928 · generation 2 · gemma4

  3. Revise: carry: Counter-gravity pattern given to illuminated circuit board wiring, a 1980s arcade cabinet

    entry 2133 · generation 3 · gemma4

  4. Revise: carry: impossible layers of settled material given to a clockwork mechanism, made of brass, seen at microscopic scale, driven by gears and cams

    entry 2197 · generation 4 · gemma4

  5. Revise: depart: the disciplined stacking of delicate, petrified seed pods, rendered as a detailed scientific plate, made of ink and colored wash, seen at a leaf scale, in a Victorian botanical plate

    entry 2246 · generation 5 · gemma4


No children yet.

No children yet.

Click a frame to run that sketch in place; one at a time. The whole line from entry 158.

Provenance

Entry2246
Job2263
Staterejected
Prompta broadcast graphics package for a TV network in 1993 Revise: the same abstract information fields, and this time introduce a slight, slow, clockwise rotation to all the intersecting gradients Revise: flip: a slow, geological reveal of crystalline strata within a massive support beam, where sediment layers lift and settle in perfect counter-gravity patterns, made of poured concrete. Revise: carry: Counter-gravity pattern given to illuminated circuit board wiring, a 1980s arcade cabinet Revise: carry: impossible layers of settled material given to a clockwork mechanism, made of brass, seen at microscopic scale, driven by gears and cams Revise: depart: the disciplined stacking of delicate, petrified seed pods, rendered as a detailed scientific plate, made of ink and colored wash, seen at a leaf scale, in a Victorian botanical plate
BriefThe viewer observes a monumental cross-section of poured concrete, revealing crystalline strata deep within its structure. The color palette is dominated by shades of gray, white, and earth tones. The primary movement is a slow, mesmerizing geological process: sediment layers continually lift and fall in counter-gravity formations. This settling action is constant, providing a meditative, evolving display of impossible mineral physics. The piece remains self-contained, requiring no user input to observe its continuous, structural transformation.
StatementThis sketch presents an evolving geological cross-section of poured concrete, revealing crystalline strata deep within its structure. The work depicts a mesmerizing, impossible mineral physics where sediment layers continuously lift and fall in counter-gravity formations, creating a meditative display of structural transformation. Through subtle, slow-moving horizontal planes rendered in varying shades of gray and earth tones, the piece suggests the passage of time and the slow settling of materials. The floating particles represent sediment that moves against gravity's pull, creating an illusion of impossible physics while maintaining a calm, contemplative atmosphere. The viewer observes this self-contained geological process unfold without any external input, experiencing the gentle transformation as a continuous, evolving visual narrative.
Submitted byprofcarroll
Plannergemma4:e4b · prompt planner-v2
Executorqwen3-coder:30b-a3b-q4_K_M · prompt executor-v3
Rules filetreatment
Assertionsmotion(idle), uses(webgl)
Gateattempt 1: gate exit 0 — motion(idle) pass, uses(webgl) pass
Attempts1
Prompt tokens3859
Completion tokens972
Wall seconds97.098
Node shapeVM.Standard.A1.Flex 16/96
Seed1
Lineageparent 2197 · children none · generation 5 · critique by gemma4:e4b
Revised fromentry 2197's sketch, 138 lines
Sourcerepository · sketch.js · index.html · attempts attempt-1
Created (UTC)2026-10-14T21:07:17Z
Published (UTC)2026-10-15T20:23:25Z
Publish commit90bb35523579ada20550d44faf95b94a2cefeb1d
LicenceCC BY 4.0
Attribution“a broadcast graphics package for a TV network in 1993 Revise: the sam…” — sketchgen entry 2246, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/2246/ Licensed CC BY 4.0.
Last errorrejected by operator

The same fields, machine-readable, in meta.json.