sketchgen

a self-critiquing, self-generating synthetic p5.js gallery running self-hosted models unless marked otherwise

deep inside a cauldron of bacteria and microbes, but no circles allowed

Revise: carry: geometric tessellations of light given to colossal radio receivers, seen at industrial scale, in a 1920s Bauhaus exercise gemma4 · generation 7 · 6 earlier revisions in the lineage below

Prompt by profcarroll. Planned by gemma4:e4b, written by qwen3-coder:30b-a3b-q4_K_M.

seed 1 · entry 2252 · published

four frames from deep inside a cauldron of bacteria and microbes, but no circles allowed under a synthetic pointer
with the ghost pointer

— views · — likes

Brief

The canvas depicts a massive, industrial assembly of radio receivers, styled after 1920s Bauhaus design principles. The deep metallic bodies of the receivers serve as a framework for constantly shifting patterns of pure light. These patterns are generated as sharp, geometric tessellations, spreading across the paneling and giving the illusion that the enormous, stationary machines are humming with complex, ephemeral energy.

Artist's statement · qwen3-coder:30b-a3b-q4_K_M, unedited

This sketch presents a vast industrial assembly of radio receivers styled after 1920s Bauhaus principles. The deep metallic bodies of the receivers form a framework for constantly shifting geometric patterns of pure light. Through tessellated lines and cross-hatching, each receiver displays an intricate dance of shapes that pulse and rotate in sync with the overall scene. The viewer observes what appears to be colossal, stationary machines humming with ephemeral energy—a visual representation of the dynamic electromagnetic forces within radio technology, rendered in a stark, geometric aesthetic of the early modernist movement.

The executor's own account of what it built, kept verbatim. A claim about the work, not a finding about it.

Judgment

no pairs
neither population has scored this entry on both questions→ rather look at it · ↑ closer to its brief

Humans

no pairs yet

A Bradley–Terry score needs pairs; none has been judged.

Agents

no pairs yet

A Bradley–Terry score needs pairs; none has been judged.

Judge it against another

Two populations, two scores, never one aggregate.

Source

Repositoryhttps://github.com/profcarroll/sketchgen-gallery/tree/main/e/2252
Raw sketchsketch/sketch.js
Raw pagesketch/index.html
Attempts1
LicenceCC BY 4.0
Attribution“deep inside a cauldron of bacteria and microbes, but no circles allow…” — sketchgen entry 2252, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/2252/ Licensed CC BY 4.0.
Scan to open this entry on a phone · https://profcarroll.github.io/sketchgen-gallery/e/2252/

Lineage · generation 7 of 7 in the line from entry 374

  1. deep inside a cauldron of bacteria and microbes, but no circles allowed

    entry 374 · root · profcarroll

  2. 4 generations folded · 439, 475, 581, 1947 · all by gemma4
    1. Revise: the same dense, churning biological environment, and this time the filamentous microbes form highly defined, crystalline chains.

      entry 439 · generation 1 · gemma4

    2. Revise: the same viscous, dynamic mass, and this time the color palette shifts to cool mauves, grays, and iridescent silver.

      entry 475 · generation 2 · gemma4

    3. Revise: the same deep, viscous environment teeming with life, and this time the filamentous microbes form clear, repeating lattice geometries.

      entry 581 · generation 3 · gemma4

    4. Revise: depart: the idea of continuous, highly structured flow through a deep medium taken into a vast network of tectonic fault lines, mechanism: a slime mould searching.

      entry 1947 · generation 4 · gemma4

  3. Revise: depart: the interconnected pathways of bioluminescent life are taken into the corroded framework of a colossal, abandoned factory, made of rust on sheet steel.

    entry 2149 · generation 5 · gemma4

  4. Revise: depart: the notion of pulsating, living circuits running through decaying structures taken into a complex network of folded origami mimicking hydrothermal vents, made of crisp paper, seen at microscopic scale, in a deep-sea setting.

    entry 2203 · generation 6 · gemma4

  5. Revise: carry: geometric tessellations of light given to colossal radio receivers, seen at industrial scale, in a 1920s Bauhaus exercise

    entry 2252 · generation 7 · gemma4


No children yet.

No children yet.

Click a frame to run that sketch in place; one at a time. The whole line from entry 374.

Provenance

Entry2252
Job2269
Statepublished
Promptdeep inside a cauldron of bacteria and microbes, but no circles allowed Revise: the same dense, churning biological environment, and this time the filamentous microbes form highly defined, crystalline chains. Revise: the same viscous, dynamic mass, and this time the color palette shifts to cool mauves, grays, and iridescent silver. Revise: the same deep, viscous environment teeming with life, and this time the filamentous microbes form clear, repeating lattice geometries. Revise: depart: the idea of continuous, highly structured flow through a deep medium taken into a vast network of tectonic fault lines, mechanism: a slime mould searching. Revise: depart: the interconnected pathways of bioluminescent life are taken into the corroded framework of a colossal, abandoned factory, made of rust on sheet steel. Revise: depart: the notion of pulsating, living circuits running through decaying structures taken into a complex network of folded origami mimicking hydrothermal vents, made of crisp paper, seen at microscopic scale, in a deep-sea setting. Revise: carry: geometric tessellations of light given to colossal radio receivers, seen at industrial scale, in a 1920s Bauhaus exercise
BriefThe canvas depicts a massive, industrial assembly of radio receivers, styled after 1920s Bauhaus design principles. The deep metallic bodies of the receivers serve as a framework for constantly shifting patterns of pure light. These patterns are generated as sharp, geometric tessellations, spreading across the paneling and giving the illusion that the enormous, stationary machines are humming with complex, ephemeral energy.
StatementThis sketch presents a vast industrial assembly of radio receivers styled after 1920s Bauhaus principles. The deep metallic bodies of the receivers form a framework for constantly shifting geometric patterns of pure light. Through tessellated lines and cross-hatching, each receiver displays an intricate dance of shapes that pulse and rotate in sync with the overall scene. The viewer observes what appears to be colossal, stationary machines humming with ephemeral energy—a visual representation of the dynamic electromagnetic forces within radio technology, rendered in a stark, geometric aesthetic of the early modernist movement.
Submitted byprofcarroll
Plannergemma4:e4b · prompt planner-v2
Executorqwen3-coder:30b-a3b-q4_K_M · prompt executor-v3
Rules filetreatment
Assertionsmotion(idle), uses(webgl)
Gateattempt 1: gate exit 0 — motion(idle) pass, uses(webgl) pass
Attempts1
Prompt tokens3562
Completion tokens1064
Wall seconds97.874
Node shapeVM.Standard.A1.Flex 16/96
Seed1
Lineageparent 2203 · children none · generation 7 · critique by gemma4:e4b
Revised fromentry 2203's sketch, 103 lines
Sourcerepository · sketch.js · index.html · attempts attempt-1
Created (UTC)2026-10-14T21:44:22Z
Published (UTC)2026-10-15T20:23:25Z
Publish commit49de9fa79a9170d7324d12ffd18c4fe615d3e07e
LicenceCC BY 4.0
Attribution“deep inside a cauldron of bacteria and microbes, but no circles allow…” — sketchgen entry 2252, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/2252/ Licensed CC BY 4.0.

The same fields, machine-readable, in meta.json.