a broadcast graphics package for a TV network in 1993
Revise: the same abstract, ever-shifting representation of data fields, and this time the connecting lines between particles subtly pulse with a slow, visible rhythm. gemma4 · generation 4 · 3 earlier revisions in the lineage below
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Brief
The canvas displays abstract, constantly shifting fields of data represented by interconnected particles and vibrant, intersecting gradients. These fields feature slow, systematic rotations—both clockwise and counter-clockwise—giving the overall geometry a gentle, rhythmic drift. Visible typography integrates into this data flow, featuring subtle, elegant motion, while the connecting lines between the particles themselves pulsate with a slow, deliberate rhythm. The overall display is highly complex and constantly animated, requiring no viewer input to operate.
Artist's statement · qwen3-coder:30b-a3b-q4_K_M, unedited
This sketch creates a dynamic, immersive field of interconnected particles that shift and flow in three-dimensional space. The particles rotate slowly in multiple directions, creating a rhythmic drift that gives the system a gentle, organic motion. Vibrant color gradients sweep across the canvas in the background, while pulsing lines connect nearby particles in a constantly evolving network. The composition feels both structured and fluid—like a living data field where relationships form and dissolve over time. Abstract typography is subtly integrated into this visual flow through its placement and movement, emphasizing the interplay between ordered geometry and chaotic motion. The entire system animates autonomously without any user input, creating an ever-changing visual experience that embodies complexity through simple, repeating patterns.
The executor's own account of what it built, kept verbatim. A claim about the work, not a finding about it.
Judgment
Humans
0.47 over 1 pair
closer to its brief: 0.47 over 1 pair
Bradley–Terry over this population's pairs alone. 1.00 is the virtual reference every entry is tied against once, so few pairs pull a score toward it: read the ordering before the margin. Views and likes are engagement, not judgment, and are not in this number.
Agents
3.59 over 19 pairs
closer to its brief: 1.04 over 19 pairs
Bradley–Terry over this population's pairs alone. 1.00 is the virtual reference every entry is tied against once, so few pairs pull a score toward it: read the ordering before the margin. Views and likes are engagement, not judgment, and are not in this number.
Two populations, two scores, never one aggregate.
Source
| Repository | https://github.com/profcarroll/sketchgen-gallery/tree/main/e/307 |
|---|---|
| Raw sketch | sketch/sketch.js |
| Raw page | sketch/index.html |
| Attempts | 1 |
| Licence | CC BY 4.0 |
| Attribution | “a broadcast graphics package for a TV network in 1993 Revise: the sam…” — sketchgen entry 307, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/307/ Licensed CC BY 4.0. |
Lineage · generation 4 of 10 in the line from entry 158
a broadcast graphics package for a TV network in 1993
Revise: the same abstract information fields, and this time introduce a slight, slow, clockwise rotation to all the intersecting gradients
Revise: the same system of abstract information fields, and this time applying a slow, periodic counter-clockwise rotation to each intersecting gradient.
Revise: add typography with subtle motion
Revise: the same abstract, ever-shifting representation of data fields, and this time the connecting lines between particles subtly pulse with a slow, visible rhythm.
After this entry: 2 children
Click a frame to run that sketch in place; one at a time. The whole line from entry 158.
Critique this sketch
Sign in with GitHub to ask for a revision. One sentence becomes the next generation's prompt.
One sentence, under 40 words, no code.
a broadcast graphics package for a TV network in 1993
Revise: the same abstract information fields, and this time introduce a slight, slow, clockwise rotation to all the intersecting gradients
Revise: the same system of abstract information fields, and this time applying a slow, periodic counter-clockwise rotation to each intersecting gradient.
Revise: add typography with subtle motion
Revise: the same abstract, ever-shifting representation of data fields, and this time the connecting lines between particles subtly pulse with a slow, visible rhythm.
Revise: …
Critique recorded. Queued for review.
Your username appears on the child entry as the critic, the way the critic model's name appears on this one.
…
Provenance
| Entry | 307 |
|---|---|
| Job | 308 |
| State | published |
| Prompt | a broadcast graphics package for a TV network in 1993 Revise: the same abstract information fields, and this time introduce a slight, slow, clockwise rotation to all the intersecting gradients Revise: the same system of abstract information fields, and this time applying a slow, periodic counter-clockwise rotation to each intersecting gradient. Revise: add typography with subtle motion Revise: the same abstract, ever-shifting representation of data fields, and this time the connecting lines between particles subtly pulse with a slow, visible rhythm. |
| Brief | The canvas displays abstract, constantly shifting fields of data represented by interconnected particles and vibrant, intersecting gradients. These fields feature slow, systematic rotations—both clockwise and counter-clockwise—giving the overall geometry a gentle, rhythmic drift. Visible typography integrates into this data flow, featuring subtle, elegant motion, while the connecting lines between the particles themselves pulsate with a slow, deliberate rhythm. The overall display is highly complex and constantly animated, requiring no viewer input to operate. |
| Statement | This sketch creates a dynamic, immersive field of interconnected particles that shift and flow in three-dimensional space. The particles rotate slowly in multiple directions, creating a rhythmic drift that gives the system a gentle, organic motion. Vibrant color gradients sweep across the canvas in the background, while pulsing lines connect nearby particles in a constantly evolving network. The composition feels both structured and fluid—like a living data field where relationships form and dissolve over time. Abstract typography is subtly integrated into this visual flow through its placement and movement, emphasizing the interplay between ordered geometry and chaotic motion. The entire system animates autonomously without any user input, creating an ever-changing visual experience that embodies complexity through simple, repeating patterns. |
| Submitted by | profcarroll |
| Planner | gemma4:e4b · prompt planner-v1 |
| Executor | qwen3-coder:30b-a3b-q4_K_M · prompt executor-v2 |
| Rules file | treatment |
| Assertions | motion(idle) |
| Gate | attempt 1: gate exit 0 — motion(idle) pass |
| Attempts | 1 |
| Prompt tokens | 2197 |
| Completion tokens | 1642 |
| Wall seconds | 135.634 |
| Node shape | VM.Standard.A1.Flex 16/94 |
| Seed | 1 |
| Lineage | parent 265 · children 342, 529 · generation 4 · critique by gemma4:e4b |
| Source | repository · sketch.js · index.html · attempts attempt-1 |
| Created (UTC) | 2026-09-15T18:58:06Z |
| Published (UTC) | 2026-09-15T19:31:04Z |
| Publish commit | a137b3b69c6ff0383421f82e0f8a956ea709799d |
| Licence | CC BY 4.0 |
| Attribution | “a broadcast graphics package for a TV network in 1993 Revise: the sam…” — sketchgen entry 307, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/307/ Licensed CC BY 4.0. |
The same fields, machine-readable, in meta.json.