study the works of Mark Rothko and then make a composition inspired by the artist's signature forms and use of color.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm. gemma4 · generation 12 · 11 earlier revisions in the lineage below
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Brief
The canvas displays overlapping, softly defined planes of deep, rich, and saturated color. These planes are structured by horizontal wave formations that perpetually ripple across the composition. The visual movement is governed by a complex, irregular rhythm; the amplitude and height of the colored waves shift in an unpredictable manner, creating an organic, pulsating flow that continually moves across the entire surface without any user interaction or external input.
Artist's statement · qwen3-coder:30b-a3b-q4_K_M, unedited
This sketch creates a mesmerizing composition of overlapping, softly defined planes that flow across the canvas with organic wave formations. Using a rich palette of saturated colors, it generates multiple layered waves that ripple continuously in unpredictable patterns. Each wave has its own speed, amplitude, and frequency, creating an ever-shifting visual landscape where the color planes blend and interact. The motion is entirely self-contained, driven by mathematical sine functions that create natural-looking undulations without any user interaction. The result is a constantly evolving abstract composition that feels alive and organic, with deep, rich colors that pulse and flow across the entire surface in an irregular rhythm.
The executor's own account of what it built, kept verbatim. A claim about the work, not a finding about it.
Judgment
Humans
no pairs yet
A Bradley–Terry score needs pairs; none has been judged.
Agents
1.70 over 26 pairs
closer to its brief: 3.84 over 26 pairs
Bradley–Terry over this population's pairs alone. 1.00 is the virtual reference every entry is tied against once, so few pairs pull a score toward it: read the ordering before the margin. Views and likes are engagement, not judgment, and are not in this number.
Two populations, two scores, never one aggregate.
Source
| Repository | https://github.com/profcarroll/sketchgen-gallery/tree/main/e/1172 |
|---|---|
| Raw sketch | sketch/sketch.js |
| Raw page | sketch/index.html |
| Attempts | 2 |
| Licence | CC BY 4.0 |
| Attribution | “study the works of Mark Rothko and then make a composition inspired b…” — sketchgen entry 1172, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/1172/ Licensed CC BY 4.0. |
Lineage · generation 12 of 15 in the line from entry 35
study the works of Mark Rothko and then make a composition inspired by the artist's signature forms and use of color.
9 generations folded · 496, 602, 688, 742, 807, 857, 909, 971, 1011 · all by gemma4
Revise: the same overlapping color fields, and this time the diffusion should subtly shift the saturation of the outer layer.
Revise: the same overlapping, softly defined fields of rich color, and this time the intensity of the chromatic shift should pulse rhythmically across the composition.
Revise: the same overlapping planes of rich, softly defined color, and this time the subtle chroma shift should briefly intensify the central vertical dividing lines.
Revise: the same overlapping planes of deep, rich color, and this time the subtle chroma shift should intensify the defining boundaries of the outermost vertical layers.
Revise: the same overlapping planes of deep, rich color, and this time the chroma shift should intensify sequentially from the center to the outer edges.
Revise: the same overlapping planes of deep, saturated color, and this time the gradual chromatic shift should flow in smooth, horizontal waves across the composition.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude.
Revise: the same overlapping, softly defined planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm.
After this entry: 1 child
Children: entry 1205.
Click a frame to run that sketch in place; one at a time. The whole line from entry 35.
Critique this sketch
Sign in with GitHub to ask for a revision. One sentence becomes the next generation's prompt.
One sentence, under 40 words, no code.
study the works of Mark Rothko and then make a composition inspired by the artist's signature forms and use of color.
Revise: the same overlapping color fields, and this time the diffusion should subtly shift the saturation of the outer layer.
Revise: the same overlapping, softly defined fields of rich color, and this time the intensity of the chromatic shift should pulse rhythmically across the composition.
Revise: the same overlapping planes of rich, softly defined color, and this time the subtle chroma shift should briefly intensify the central vertical dividing lines.
Revise: the same overlapping planes of deep, rich color, and this time the subtle chroma shift should intensify the defining boundaries of the outermost vertical layers.
Revise: the same overlapping planes of deep, rich color, and this time the chroma shift should intensify sequentially from the center to the outer edges.
Revise: the same overlapping planes of deep, saturated color, and this time the gradual chromatic shift should flow in smooth, horizontal waves across the composition.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude.
Revise: the same overlapping, softly defined planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm.
Revise: …
Critique recorded. Queued for review.
Your username appears on the child entry as the critic, the way the critic model's name appears on this one.
…
Provenance
| Entry | 1172 |
|---|---|
| Job | 1176 |
| State | published |
| Prompt | study the works of Mark Rothko and then make a composition inspired by the artist's signature forms and use of color. Revise: the same overlapping color fields, and this time the diffusion should subtly shift the saturation of the outer layer. Revise: the same overlapping, softly defined fields of rich color, and this time the intensity of the chromatic shift should pulse rhythmically across the composition. Revise: the same overlapping planes of rich, softly defined color, and this time the subtle chroma shift should briefly intensify the central vertical dividing lines. Revise: the same overlapping planes of deep, rich color, and this time the subtle chroma shift should intensify the defining boundaries of the outermost vertical layers. Revise: the same overlapping planes of deep, rich color, and this time the chroma shift should intensify sequentially from the center to the outer edges. Revise: the same overlapping planes of deep, saturated color, and this time the gradual chromatic shift should flow in smooth, horizontal waves across the composition. Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm. Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude. Revise: the same overlapping, softly defined planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude. Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm. Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude. Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm. |
| Brief | The canvas displays overlapping, softly defined planes of deep, rich, and saturated color. These planes are structured by horizontal wave formations that perpetually ripple across the composition. The visual movement is governed by a complex, irregular rhythm; the amplitude and height of the colored waves shift in an unpredictable manner, creating an organic, pulsating flow that continually moves across the entire surface without any user interaction or external input. |
| Statement | This sketch creates a mesmerizing composition of overlapping, softly defined planes that flow across the canvas with organic wave formations. Using a rich palette of saturated colors, it generates multiple layered waves that ripple continuously in unpredictable patterns. Each wave has its own speed, amplitude, and frequency, creating an ever-shifting visual landscape where the color planes blend and interact. The motion is entirely self-contained, driven by mathematical sine functions that create natural-looking undulations without any user interaction. The result is a constantly evolving abstract composition that feels alive and organic, with deep, rich colors that pulse and flow across the entire surface in an irregular rhythm. |
| Submitted by | profcarroll |
| Planner | gemma4:e4b · prompt planner-v1 |
| Executor | qwen3-coder:30b-a3b-q4_K_M · prompt executor-v3 |
| Rules file | treatment |
| Assertions | motion(idle) |
| Gate | attempt 1: gate exit 1 — motion(idle) fail attempt 2: gate exit 0 — motion(idle) pass |
| Attempts | 2 |
| Prompt tokens | 4791 |
| Completion tokens | 1418 |
| Wall seconds | 103.824 |
| Node shape | VM.Standard.A1.Flex 16/94 |
| Seed | 1 |
| Lineage | parent 1130 · children 1205 · generation 12 · critique by gemma4:e4b |
| Source | repository · sketch.js · index.html · attempts attempt-1, attempt-2 |
| Created (UTC) | 2026-09-20T17:57:30Z |
| Published (UTC) | 2026-09-20T19:05:18Z |
| Publish commit | 8d21e5b2913f931d157f7347e7a506e77b80653b |
| Licence | CC BY 4.0 |
| Attribution | “study the works of Mark Rothko and then make a composition inspired b…” — sketchgen entry 1172, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/1172/ Licensed CC BY 4.0. |
The same fields, machine-readable, in meta.json.