study the works of Mark Rothko and then make a composition inspired by the artist's signature forms and use of color.
Revise: the same overlapping, softly defined planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude. gemma4 · generation 13 · 12 earlier revisions in the lineage below
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Brief
The canvas presents an abstract composition made of several overlapping planes of deep, rich, and highly saturated color. These color fields are softly defined, giving them a diffused, atmospheric quality. Across the entire surface, horizontal wave formations of color subtly flow, shifting the chroma of the planes. This movement is rhythmic and consistent, manifesting as a steady, uniform wave pattern that washes across the composition from side to side.
Artist's statement · qwen3-coder:30b-a3b-q4_K_M, unedited
This sketch creates an abstract composition of overlapping color planes that flow with rhythmic horizontal waves. Each plane contains a different saturated color and moves at its own pace, creating a layered atmospheric effect. The wave patterns shift smoothly across the canvas from side to side, with chroma variations that pulse gently through time. The result is a dynamic, ever-shifting color field where depth and motion emerge from simple geometric repetition and subtle color modulation.
The executor's own account of what it built, kept verbatim. A claim about the work, not a finding about it.
Judgment
Humans
no pairs yet
A Bradley–Terry score needs pairs; none has been judged.
Agents
3.16 over 18 pairs
closer to its brief: 3.20 over 18 pairs
Bradley–Terry over this population's pairs alone. 1.00 is the virtual reference every entry is tied against once, so few pairs pull a score toward it: read the ordering before the margin. Views and likes are engagement, not judgment, and are not in this number.
Two populations, two scores, never one aggregate.
Source
| Repository | https://github.com/profcarroll/sketchgen-gallery/tree/main/e/1205 |
|---|---|
| Raw sketch | sketch/sketch.js |
| Raw page | sketch/index.html |
| Attempts | 2 |
| Licence | CC BY 4.0 |
| Attribution | “study the works of Mark Rothko and then make a composition inspired b…” — sketchgen entry 1205, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/1205/ Licensed CC BY 4.0. |
Lineage · generation 13 of 15 in the line from entry 35
study the works of Mark Rothko and then make a composition inspired by the artist's signature forms and use of color.
10 generations folded · 496, 602, 688, 742, 807, 857, 909, 971, 1011, 1066 · all by gemma4
Revise: the same overlapping color fields, and this time the diffusion should subtly shift the saturation of the outer layer.
Revise: the same overlapping, softly defined fields of rich color, and this time the intensity of the chromatic shift should pulse rhythmically across the composition.
Revise: the same overlapping planes of rich, softly defined color, and this time the subtle chroma shift should briefly intensify the central vertical dividing lines.
Revise: the same overlapping planes of deep, rich color, and this time the subtle chroma shift should intensify the defining boundaries of the outermost vertical layers.
Revise: the same overlapping planes of deep, rich color, and this time the chroma shift should intensify sequentially from the center to the outer edges.
Revise: the same overlapping planes of deep, saturated color, and this time the gradual chromatic shift should flow in smooth, horizontal waves across the composition.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude.
Revise: the same overlapping, softly defined planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm.
Revise: the same overlapping, softly defined planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude.
After this entry: 1 child
Children: entry 1234.
Click a frame to run that sketch in place; one at a time. The whole line from entry 35.
Critique this sketch
Sign in with GitHub to ask for a revision. One sentence becomes the next generation's prompt.
One sentence, under 40 words, no code.
study the works of Mark Rothko and then make a composition inspired by the artist's signature forms and use of color.
Revise: the same overlapping color fields, and this time the diffusion should subtly shift the saturation of the outer layer.
Revise: the same overlapping, softly defined fields of rich color, and this time the intensity of the chromatic shift should pulse rhythmically across the composition.
Revise: the same overlapping planes of rich, softly defined color, and this time the subtle chroma shift should briefly intensify the central vertical dividing lines.
Revise: the same overlapping planes of deep, rich color, and this time the subtle chroma shift should intensify the defining boundaries of the outermost vertical layers.
Revise: the same overlapping planes of deep, rich color, and this time the chroma shift should intensify sequentially from the center to the outer edges.
Revise: the same overlapping planes of deep, saturated color, and this time the gradual chromatic shift should flow in smooth, horizontal waves across the composition.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude.
Revise: the same overlapping, softly defined planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude.
Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm.
Revise: the same overlapping, softly defined planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude.
Revise: …
Critique recorded. Queued for review.
Your username appears on the child entry as the critic, the way the critic model's name appears on this one.
…
Provenance
| Entry | 1205 |
|---|---|
| Job | 1209 |
| State | published |
| Prompt | study the works of Mark Rothko and then make a composition inspired by the artist's signature forms and use of color. Revise: the same overlapping color fields, and this time the diffusion should subtly shift the saturation of the outer layer. Revise: the same overlapping, softly defined fields of rich color, and this time the intensity of the chromatic shift should pulse rhythmically across the composition. Revise: the same overlapping planes of rich, softly defined color, and this time the subtle chroma shift should briefly intensify the central vertical dividing lines. Revise: the same overlapping planes of deep, rich color, and this time the subtle chroma shift should intensify the defining boundaries of the outermost vertical layers. Revise: the same overlapping planes of deep, rich color, and this time the chroma shift should intensify sequentially from the center to the outer edges. Revise: the same overlapping planes of deep, saturated color, and this time the gradual chromatic shift should flow in smooth, horizontal waves across the composition. Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm. Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude. Revise: the same overlapping, softly defined planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude. Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm. Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude. Revise: the same overlapping planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm. Revise: the same overlapping, softly defined planes of deep, rich, and saturated color, and this time the horizontal wave formations should exhibit a uniform and consistent amplitude. |
| Brief | The canvas presents an abstract composition made of several overlapping planes of deep, rich, and highly saturated color. These color fields are softly defined, giving them a diffused, atmospheric quality. Across the entire surface, horizontal wave formations of color subtly flow, shifting the chroma of the planes. This movement is rhythmic and consistent, manifesting as a steady, uniform wave pattern that washes across the composition from side to side. |
| Statement | This sketch creates an abstract composition of overlapping color planes that flow with rhythmic horizontal waves. Each plane contains a different saturated color and moves at its own pace, creating a layered atmospheric effect. The wave patterns shift smoothly across the canvas from side to side, with chroma variations that pulse gently through time. The result is a dynamic, ever-shifting color field where depth and motion emerge from simple geometric repetition and subtle color modulation. |
| Submitted by | profcarroll |
| Planner | gemma4:e4b · prompt planner-v1 |
| Executor | qwen3-coder:30b-a3b-q4_K_M · prompt executor-v3 |
| Rules file | treatment |
| Assertions | motion(idle) |
| Gate | attempt 1: gate exit 1 — motion(idle) fail attempt 2: gate exit 0 — motion(idle) pass |
| Attempts | 2 |
| Prompt tokens | 4849 |
| Completion tokens | 1094 |
| Wall seconds | 87.458 |
| Node shape | aarch64 16/94 |
| Seed | 1 |
| Lineage | parent 1172 · children 1234 · generation 13 · critique by gemma4:e4b |
| Source | repository · sketch.js · index.html · attempts attempt-1, attempt-2 |
| Created (UTC) | 2026-09-20T23:12:18Z |
| Published (UTC) | 2026-09-21T00:17:46Z |
| Publish commit | 8383fd23142df7fb9b93c4a8161a28083dda4328 |
| Licence | CC BY 4.0 |
| Attribution | “study the works of Mark Rothko and then make a composition inspired b…” — sketchgen entry 1205, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/1205/ Licensed CC BY 4.0. |
The same fields, machine-readable, in meta.json.