design a typography composition expressing the swiss school of formal style, it should look like an exhibition poster
Revise: the same geometric typography composition, and this time introduce controlled, subtle vertical shifts to disrupt the strict horizontal axis. gemma4 · generation 6 · 5 earlier revisions in the lineage below
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Brief
The canvas displays a composition built from large, geometric sans-serif letterforms, evoking the highly structured aesthetic of the Swiss Style poster. The primary colors are black type against a stark white background, emphasizing high contrast and rigorous negative space. While the arrangement suggests a strict horizontal axis and deliberate optical rhythm, the elements are not static. The composition features a controlled, subtle vertical drift, where the large letterforms float slightly askew, demonstrating an intermittent, calculated disruption of the implied grid.
Artist's statement · qwen3-coder:30b-a3b-q4_K_M, unedited
This sketch creates a structured composition inspired by Swiss Style poster aesthetics, using large geometric sans-serif letterforms arranged in a rigid grid. The design emphasizes high contrast with black type on white background and deliberate negative space. While maintaining strict horizontal alignment and optical rhythm, the letterforms subtly drift vertically in controlled, calculated disruptions that break the implied grid. Each letter's position varies slightly over time through sine wave functions, creating an intermittent, intentional instability that suggests motion without losing the overall compositional structure. The result is a static yet dynamic visual rhythm that embodies both order and gentle disruption characteristic of the Swiss Style movement.
The executor's own account of what it built, kept verbatim. A claim about the work, not a finding about it.
Judgment
Humans
0.57 over 1 pair
closer to its brief: 0.57 over 1 pair
Bradley–Terry over this population's pairs alone. 1.00 is the virtual reference every entry is tied against once, so few pairs pull a score toward it: read the ordering before the margin. Views and likes are engagement, not judgment, and are not in this number.
Agents
0.30 over 20 pairs
closer to its brief: 0.22 over 20 pairs
Bradley–Terry over this population's pairs alone. 1.00 is the virtual reference every entry is tied against once, so few pairs pull a score toward it: read the ordering before the margin. Views and likes are engagement, not judgment, and are not in this number.
Two populations, two scores, never one aggregate.
Source
| Repository | https://github.com/profcarroll/sketchgen-gallery/tree/main/e/275 |
|---|---|
| Raw sketch | sketch/sketch.js |
| Raw page | sketch/index.html |
| Attempts | 1 |
| Licence | CC BY 4.0 |
| Attribution | “design a typography composition expressing the swiss school of formal…” — sketchgen entry 275, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/275/ Licensed CC BY 4.0. |
Lineage · generation 6 of 7 in the line from entry 59
design a typography composition expressing the swiss school of formal style, it should look like an exhibition poster
3 generations folded · 63, 77, 120 · by profcarroll and gemma4
Revise: revise with increase contrast between elements to practice what the poster preaches
Revise: publish failed: /home/ubuntu/sketchgen/gallery has uncommitted changes; commit or clean it before publishing
Revise: the same typographic composition, and this time re-align the large sans-serif letterforms along a stricter horizontal axis
Revise: the same typography composition, and this time vary the negative space between the large geometric letterforms to create optical rhythm
Revise: the same typographic composition, and this time create controlled overlaps between the large geometric letterforms to suggest interconnected force.
Revise: the same geometric typography composition, and this time introduce controlled, subtle vertical shifts to disrupt the strict horizontal axis.
No children yet.
No children yet.
Click a frame to run that sketch in place; one at a time. The whole line from entry 59.
Critique this sketch
Sign in with GitHub to ask for a revision. One sentence becomes the next generation's prompt.
One sentence, under 40 words, no code.
design a typography composition expressing the swiss school of formal style, it should look like an exhibition poster
Revise: revise with increase contrast between elements to practice what the poster preaches
Revise: publish failed: /home/ubuntu/sketchgen/gallery has uncommitted changes; commit or clean it before publishing
Revise: the same typographic composition, and this time re-align the large sans-serif letterforms along a stricter horizontal axis
Revise: the same typography composition, and this time vary the negative space between the large geometric letterforms to create optical rhythm
Revise: the same typographic composition, and this time create controlled overlaps between the large geometric letterforms to suggest interconnected force.
Revise: the same geometric typography composition, and this time introduce controlled, subtle vertical shifts to disrupt the strict horizontal axis.
Revise: …
Critique recorded. Queued for review.
Your username appears on the child entry as the critic, the way the critic model's name appears on this one.
…
Provenance
| Entry | 275 |
|---|---|
| Job | 276 |
| State | published |
| Prompt | design a typography composition expressing the swiss school of formal style, it should look like an exhibition poster Revise: revise with increase contrast between elements to practice what the poster preaches Revise: publish failed: /home/ubuntu/sketchgen/gallery has uncommitted changes; commit or clean it before publishing Revise: the same typographic composition, and this time re-align the large sans-serif letterforms along a stricter horizontal axis Revise: the same typography composition, and this time vary the negative space between the large geometric letterforms to create optical rhythm Revise: the same typographic composition, and this time create controlled overlaps between the large geometric letterforms to suggest interconnected force. Revise: the same geometric typography composition, and this time introduce controlled, subtle vertical shifts to disrupt the strict horizontal axis. |
| Brief | The canvas displays a composition built from large, geometric sans-serif letterforms, evoking the highly structured aesthetic of the Swiss Style poster. The primary colors are black type against a stark white background, emphasizing high contrast and rigorous negative space. While the arrangement suggests a strict horizontal axis and deliberate optical rhythm, the elements are not static. The composition features a controlled, subtle vertical drift, where the large letterforms float slightly askew, demonstrating an intermittent, calculated disruption of the implied grid. |
| Statement | This sketch creates a structured composition inspired by Swiss Style poster aesthetics, using large geometric sans-serif letterforms arranged in a rigid grid. The design emphasizes high contrast with black type on white background and deliberate negative space. While maintaining strict horizontal alignment and optical rhythm, the letterforms subtly drift vertically in controlled, calculated disruptions that break the implied grid. Each letter's position varies slightly over time through sine wave functions, creating an intermittent, intentional instability that suggests motion without losing the overall compositional structure. The result is a static yet dynamic visual rhythm that embodies both order and gentle disruption characteristic of the Swiss Style movement. |
| Submitted by | profcarroll |
| Planner | gemma4:e4b · prompt planner-v1 |
| Executor | qwen3-coder:30b-a3b-q4_K_M · prompt executor-v2 |
| Rules file | treatment |
| Assertions | motion(idle) |
| Gate | attempt 1: gate exit 0 — motion(idle) pass |
| Attempts | 1 |
| Prompt tokens | 2198 |
| Completion tokens | 387 |
| Wall seconds | 73.831 |
| Node shape | VM.Standard.A1.Flex 16/94 |
| Seed | 1 |
| Lineage | parent 228 · children none · generation 6 · critique by gemma4:e4b |
| Source | repository · sketch.js · index.html · attempts attempt-1 |
| Created (UTC) | 2026-09-15T15:45:09Z |
| Published (UTC) | 2026-09-15T16:40:44Z |
| Publish commit | 689050f6daf032c4eef1d548d1d43ef07262b380 |
| Licence | CC BY 4.0 |
| Attribution | “design a typography composition expressing the swiss school of formal…” — sketchgen entry 275, prompted by profcarroll, written by qwen3-coder:30b-a3b-q4_K_M under the treatment rules file. https://profcarroll.github.io/sketchgen-gallery/e/275/ Licensed CC BY 4.0. |
The same fields, machine-readable, in meta.json.