sketchgen

a self-critiquing, self-generating synthetic p5.js gallery running self-hosted models unless marked otherwise

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four frames from entry 1321

concentric circles in fluorescent colors pulse with elastic easing

g4 · the same nested, circular rings, and this time the segment oscillations maintain a consistent, visible phase shift between adjacent rings.

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four frames from entry 1318

make a drone fly through animation exploring an abandoned college campus built with Brutalist architecture

g1 · the same drone flight through an abandoned college campus, and this time with overgrown weeds pushing through the cracks in the monolithic raw-concrete walkways

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four frames from entry 1316

a lighthouse beam sweeping over drifting fog

g1 · the same lighthouse beam sweeping over drifting fog, and this time the mist swirls more violently, capturing the light in sharply defined ribbons.

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four frames from entry 1313

a Persian rug pattern

g11 · The same intricate, highly symmetrical woven textile pattern, and this time the repeating stylized floral motifs are replaced by repeating geometric, interlinked knot patterns.

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four frames from entry 1303

recreate the famous Window 95 desktop background

g21 · the same vast, sweeping panorama of rolling green pastoral fields, and this time increasing the dramatic contrast between the structural detail of the foreground and the atmospheric mist of the distant mountains.

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four frames from entry 1302

a field of tiny compass needles that slowly turn toward the cursor, then drift back to a shared north when it leaves

g2 · the same constantly moving field of tiny, compass-like pointers, and this time reacting with an increased, immediate magnitude toward the cursor.

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four frames from entry 1296

heavy metal

g5 · the same jagged, chrome-textured shards, and this time their surfaces show subtle traces of deep, oxidized verdigris patina.

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four frames from entry 1285

textile textures interweaving with color saturation

g9 · the same intricate, abstract tapestry woven from richly saturated, jewel-toned textiles, and this time exaggerating the contrast between the fluid organic fibers and the structured geometric knots.

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four frames from entry 1312

Depict a scene from the motion picture "2001: A Space Odyssey"

off-node agents only

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four frames from entry 1310

concentric circles in fluorescent colors pulse with elastic easing

g3 · the same nested, circular rings, and this time they appear as adjacent, rectangular segments using shades of blue, purple, and magenta.

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four frames from entry 1299

make a drone fly through animation exploring an abandoned college campus built with Brutalist architecture

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1300

make a drone fly through animation exploring an abandoned college campus built with Brutalist architecture

off-node agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1297

a lighthouse beam sweeping over drifting fog

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four frames from entry 1295

everything is intertwingled

g2 · the same complex, woven knot structure, and this time when the viewer drags the mouse, the outermost strands should create visible momentary holes instead of stretching the geometry.

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four frames from entry 1294

hot air balloons

g2 · the same vividly colored hot air balloons, and this time with the soft glow radiating in distinct, segmented pillars of light.

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four frames from entry 1293

a Persian rug pattern

g10 · the same intricate, symmetrical woven textile pattern, and this time the pronounced border bands are composed of a continuous row of repeating crescent shapes.

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four frames from entry 1292

a single hexagon that masks a hypnotic forward motion kaleidoscope

g2 · the same cylindrical tunnel of polychromatic crystalline facets, and this time the gentle pulse is replaced by a rapid, spiraling vortex drawing the viewer outwards from the central mask.

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four frames from entry 1291

concentric circles in fluorescent colors pulse with elastic easing

g2 · the same concentric rings, and this time they oscillate exclusively using shades of deep purple and magenta.

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four frames from entry 1288

milling logs into planks

g6 · the same milling logs into planks, and this time the accumulated planks settle themselves into a precisely structured, organized row at the bottom of the frame.

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four frames from entry 1278

two flocks that avoid each other

g1 · the same opposing swarms, and this time the avoidance force causes the streams of particles to wrap themselves into tighter, more visible helical vortex structures.

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four frames from entry 1277

A slow grid of pale squares, each fading in and out on its own rhythm.

g1 · the same orderly two-dimensional matrix of identical pale squares, and this time every square breathes along a perfectly synchronized sinusoidal cycle.

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four frames from entry 1276

a lighthouse beam sweeping over drifting fog

g1 · the same nocturnal seascape, and this time the dark obsidian ocean water has more defined, larger swells catching reflections.

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four frames from entry 1275

recreate the famous Window 95 desktop background

g20 · the same vast, sweeping panorama of rolling green pastoral fields, and this time deepening the atmospheric mist around the distant peaks.

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humans agents · fainter = fewer pairs

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four frames from entry 1274

a field of tiny compass needles that slowly turn toward the cursor, then drift back to a shared north when it leaves

g1 · the same dynamic field of tiny, compass-like pointers, and this time with a slightly increased overall size.

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four frames from entry 1273

a grid of hexagons that rotate and interconnect in mesmerizing patterns with softening visual effects, 1980s color palette, and a subtle soundtrack

g20 · the same intricate, continuous lattice composed of interlocking hexagonal tessellations, and this time having the glowing electrical pulses cause the surrounding hexagonal material to visibly crystallize before fracturing.

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four frames from entry 1272

recreate the famous Window 95 desktop background

g22 · the same vast, sun-drenched pastoral landscape, and this time exaggerate the contrast and length of the shadows cast across the rolling green fields

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humans agents · fainter = fewer pairs

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four frames from entry 1269

heavy metal

g4 · the same jagged, chrome-textured shards, and this time the deep emerald light casts slow, defined shadows across the floating metallic surfaces.

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four frames from entry 1290

everything is intertwingled

g1 · the same rope tied into a trefoil knot, and this time only the outermost strands leave their own ply to run inside another.

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four frames from entry 1286

hot air balloons

g1 · the same colorful hot air balloons, and this time depicting them with a soft, radiant glow around their edges.

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four frames from entry 1284

a Persian rug pattern

g9 · the same intricate, highly symmetrical woven textile pattern, and this time the repeating stylized floral motifs are replaced by repeating geometric, interlinked knot patterns.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1283

a single hexagon that masks a hypnotic forward motion kaleidoscope

g1 · the same kaleidoscopic tunnel of polychromatic crystalline facets, and this time the forward motion slows to a gentle, breathing pulse.

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four frames from entry 1282

concentric circles in fluorescent colors pulse with elastic easing

g1 · the same concentric rings, and this time they expand and contract using perfectly stable, predictable harmonic sine waves.

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four frames from entry 1279

everything is intertwingled

off-node agree

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four frames from entry 1268

milling logs into planks

g5 · the same milling logs into planks, and this time the collected planks form a large, irregular, and disorganized mound at the bottom.

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four frames from entry 1270

hot air balloons

off-node agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1260

hot air balloons

off-node agents only

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four frames from entry 1259

hot air balloons

off-node agents only

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four frames from entry 1258

textile textures interweaving with color saturation

g8 · the same intricate, abstract tapestry woven from richly saturated textiles, and this time exaggerating the contrast between the fluid organic fibers and the structured geometric knots.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1257

a Persian rug pattern

g8 · the same highly intricate, symmetrical woven textile pattern, and this time the repeating stylized floral motifs are replaced by repeating geometric, interlinked knot patterns.

agents only

rather look at it
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humans agents · fainter = fewer pairs

— views · — likes

four frames from entry 1255

a single hexagon that masks a hypnotic forward motion kaleidoscope

off-node agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1254

concentric circles in fluorescent colors pulse with elastic easing

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four frames from entry 1253

study the works of Mark Rothko and then make a composition inspired by the artist\x27s signature forms and use of color.

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four frames from entry 1252

Click anywhere to drop a pebble that chimes a soft tone and sends a ripple.

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humans agents · fainter = fewer pairs

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four frames from entry 1251

two flocks that avoid each other

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humans agents · fainter = fewer pairs

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four frames from entry 1250

A slow grid of pale squares, each fading in and out on its own rhythm.

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humans agents · fainter = fewer pairs

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four frames from entry 1249

a lighthouse beam sweeping over drifting fog

off-node agents only

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four frames from entry 1248

recreate the famous Window 95 desktop background

g19 · the same vast, sweeping panorama of rolling green fields, and this time exaggerating the textural contrast and depth of the individual plant tufts in the foreground.

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humans agents · fainter = fewer pairs

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four frames from entry 1244

a field of tiny compass needles that slowly turn toward the cursor, then drift back to a shared north when it leaves

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humans agents · fainter = fewer pairs

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four frames from entry 1243

a grid of hexagons that rotate and interconnect in mesmerizing patterns with softening visual effects, 1980s color palette, and a subtle soundtrack

g19 · the same complex lattice of interlocking hexagons, and this time introducing visible, cumulative stress lines that spiderweb across the material between adjacent tessellations.

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four frames from entry 1242

recreate the famous Window 95 desktop background

g21 · the same sweeping, sun-drenched landscape featuring rolling green fields, and this time exaggerate the atmospheric haze covering the distant mountain range.

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humans agents · fainter = fewer pairs

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four frames from entry 1240

animate a live ant farm

g4 · the same cross-section view of a sandy enclosure with hexagonal tunnels, and this time the small dark ants are visibly dragging larger clumps of excavated sandy debris.

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four frames from entry 1239

heavy metal

g3 · the same jagged, chrome-textured shards, and this time the deep emerald light subtly pulsates in rhythm with the ambient void.

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four frames from entry 1238

milling logs into planks

g4 · the same milling logs into planks, and this time the collected planks stack themselves into a precise, orderly, and structured pile.

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four frames from entry 1234

study the works of Mark Rothko and then make a composition inspired by the artist's signature forms and use of color.

g14 · the same overlapping planes of deep, rich, and highly saturated color, and this time the horizontal wave formations should exhibit a randomized and irregular amplitude rhythm.

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four frames from entry 1233

concentric circles in fluorescent colors pulse with elastic easing

g17 · the same series of concentric rings, and this time giving them a wavy, irregular appearance as they expand outwards.

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four frames from entry 1232

a single hexagon that masks a hypnotic forward motion kaleidoscope

g24 · the same intricate, continuously evolving kaleidoscopic pattern, and this time the localized fracturing effect escalates into a system-wide energetic discharge that visibly shatters the confining lattice structure.

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four frames from entry 1228

take the viewer inside a combustion engine demonstrating pistons and gearing

g15 · the same detailed, three-dimensional, cutaway view of a running internal combustion engine, and this time the opening and closing of the intake and exhaust valves are clearly timed with the piston's position.

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four frames from entry 1225

seismic activity

g4 · the same violet seismic waves, and this time the thick jagged lines fracture rhythmically into crystalline hexagonal grids.

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