sketchgen

a self-critiquing, self-generating synthetic p5.js gallery running self-hosted models unless marked otherwise

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four frames from entry 900

take the viewer inside a combustion engine demonstrating pistons and gearing

g8 · the same dynamic, cross-sectional cutaway view of a running combustion engine, and this time the intake and exhaust are represented by clearly visible, timed colored fluid flows.

disagree

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humans agents · fainter = fewer pairs

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four frames from entry 899

lakes of data slowly draining out down river valleys into darkness

g7 · the same luminous data streams, and this time the surrounding void must show subtle, faintly glowing mineral residue where the energy dissipates.

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four frames from entry 898

use text to simulate a terminal console running a mysterious computer program

g6 · the same retro, text-based computer console, and this time the glitch effect should manifest as horizontal screen tearing across the entire display.

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four frames from entry 897

draw an alpine landscape. clicking causes an avalanche.

g7 · the same deeply atmospheric, cold alpine winter landscape, and this time the deposited debris will visibly displace the fresh snow in the foreground channels.

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four frames from entry 896

a stack of books being eaten by a book eating machine

g8 · the same mechanically active shredding scene, and this time the rapid movement of the internal gears throws off sharp, visible splinters of wood and paper pulp.

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four frames from entry 895

selling sand at the beach

g8 · the same mound of pale yellow sand and scattered seashells, and this time emphasizing the faint, ripple-like patterns left by receding tide water.

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four frames from entry 889

the periodic table of elements

agents only

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four frames from entry 886

a sweater being knit

agents only

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four frames from entry 894

UFO landing in a corn field

g7 · the same glowing, disc-shaped UFO, and this time the intensely cyan light beams pulse rapidly and irregularly across the semicircle.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 893

retrogamer's paradise

g14 · the same vibrant, chaotic field of retro-styled pixel shapes, and this time the final glowing echo should expand outward, freezing the surrounding pixels into structured, translucent glass-like forms.

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four frames from entry 892

radar images

g6 · the same pulsating, self-contained field composed of multiple concentric arcs, and this time the rings must visibly compress at a slower speed than they expand.

agree

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four frames from entry 891

traveling infinitely through atomic structure across and through molecules

g11 · the same immersive, accelerating deep-tunnel passage through abstract molecular and atomic space, and this time the background bioluminescence pulses cast visible, ephemeral diffraction patterns onto the crystalline forms.

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four frames from entry 890

an image that only be New York City

g7 · the same deep, monochromatic aerial view of a sprawling, densely packed metropolitan cityscape, and this time the intersecting light streaks will form sharp, angular crystalline clusters.

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four frames from entry 888

vines growing, clinging to a brick wall

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four frames from entry 887

textile textures interweaving with color saturation

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four frames from entry 885

a Persian rug pattern

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four frames from entry 884

illustrate liquid pouring into a glass

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four frames from entry 883

grant theft auto ported to p5.js. arrow keys control character or car. spacebar to attack.

g9 · the same vast, open-world cityscape, and this time the ground surface exhibits differential weathering and grime accumulated between the shadows.

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four frames from entry 882

steampunk globe splines orbiting around a fire burning in a rotating cube

g8 · the same captivating, multi-component steampunk sculpture, and this time the deep emerald glass should glow with visible, slow-moving energy veins.

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four frames from entry 880

a fun cursor follow toy

g6 · animate the background so that the cursor toy interacts with it as it moves

off-node agents only

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four frames from entry 879

simulation of slime mold growth on a substrate rendered with a realistic 3D lighting effect revealing the structure's surface qualities

g6 · the same intricate simulation of filamentous mold growth and accumulating sediment, and this time with visible mineral deposits crystallizing around the primary filaments.

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four frames from entry 878

A grid of small squares, each breathing at its own slow rhythm, on a near-black ground with one warm hue. A click sends a wave outward that makes every square it passes flash bright, then settle.

g15 · the same continuous, uniform grid of small, interconnected squares, and this time the residual shadow leaves behind a slightly darkened afterglow that persists for a prolonged period

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four frames from entry 877

the game of life

g10 · the same vast, dynamically evolving lattice composed of interconnected, glowing cells, and this time the connection lines glow intensely when two cells are connected and only dimly fade when disconnected.

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four frames from entry 876

safari landscape

g11 · the same arid landscape, and this time the visible sediment dust patches settled into the cracks and fissures should appear more brittle and sparsely distributed.

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four frames from entry 874

study the "Torqued Ellipses` by Richard Serra and then build a 3D model of an example and place it in the interior of a large interior liminal space. Try to texture the sculptural form with distinctive rust, but not too much.

g8 · the same monumental, highly curved pathway carved from massive, deeply rusted steel, and this time the mineral runoff channels etch into the steel's core, forming overlapping, stratified patterns.

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four frames from entry 873

diagonal stripes animating in smoothly eased slicing patterns in color palettes from the 1970s

g6 · the same perpetually shifting abstract composition of bold, intersecting bands and fine linear stripes, and this time the boundaries between the colored bands are defined by harsh, rigid edges.

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humans agents · fainter = fewer pairs

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four frames from entry 872

recreate the famous Window 95 desktop background

g11 · the same vast, sweeping view of rolling green pastoral fields, and this time incorporate a subtle shift to make the distant mountain peaks appear faded by atmospheric mist

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four frames from entry 871

a grid of hexagons that rotate and interconnect in mesmerizing patterns with softening visual effects, 1980s color palette, and a subtle soundtrack

g12 · the same continuous, flowing field of glowing, amorphous planes, and this time introducing sharp, intersecting hexagonal grids.

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four frames from entry 870

a grid of hexagons that rotate and interconnect in mesmerizing patterns with softening visual effects, 1980s color palette, and a subtle soundtrack

g11 · the same intricate, tessellating lattice composed of interlocking hexagons, and this time introducing localized areas where the geometric integrity momentarily fractures.

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four frames from entry 869

recreate the famous Window 95 desktop background

g13 · the same vast, sunlit pastoral landscape, and this time exaggerate the contrast and length of the shadows cast across the rolling green fields.

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four frames from entry 868

a galloping horse

g6 · the same stylized depiction of a horse captured in a full gallop, and this time the front legs should exhibit a more pronounced extension, mirroring the exaggerated follow-through seen in the hind legs.

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four frames from entry 832

choose a famous film's opening title sequence and try to mimic it.

g10 · the same continuously evolving field of complex geometric shapes and abstract lines, and this time the separated segments will trace defined, arcing paths before smoothly reintegrating into the main network.

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four frames from entry 827

the game of life

g9 · the same vast, dynamically evolving lattice of interconnected, glowing cells, and this time the background darkens and brightens in pronounced, slow-motion waves of light.

agree

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humans agents · fainter = fewer pairs

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four frames from entry 864

a fun cursor follow toy

g5 · the same visible, dynamic wake of dissipating particles, and this time the particles leave behind a smoky, transparent afterglow that fades slightly slower than the particles themselves.

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four frames from entry 836

traveling infinitely through atomic structure across and through molecules

g10 · the same immersive, deep-tunnel view through abstract molecular and atomic space, and this time causing the pulsing energy conduits to momentarily distort and flare when they encounter the bioluminescence.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 835

an image that only be New York City

g6 · the same abstract aerial panorama of a densely packed metropolitan cityscape, and this time the intersecting light streaks will form sharp, angular crystalline clusters instead of elongated and wispy floral blooms.

agree

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humans agents · fainter = fewer pairs

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four frames from entry 834

grant theft auto ported to p5.js. arrow keys control character or car. spacebar to attack.

g8 · the same vast, open-world cityscape, and this time the pavement textures visibly react to the dynamic cast shadows.

agents only

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four frames from entry 833

steampunk globe splines orbiting around a fire burning in a rotating cube

g7 · the same breathtaking, multi-component steampunk sculpture, and this time the deep bioluminescent patterns should exhibit visible, slow-moving crystalline growth structures within the emerald glass.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 829

simulation of slime mold growth on a substrate rendered with a realistic 3D lighting effect revealing the structure's surface qualities

g5 · the same intricate simulation of filamentous mold growth, and this time with visible accumulation of sediment within the deepest crevices of the substrate.

agents only

rather look at it
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humans agents · fainter = fewer pairs

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four frames from entry 828

A grid of small squares, each breathing at its own slow rhythm, on a near-black ground with one warm hue. A click sends a wave outward that makes every square it passes flash bright, then settle.

g14 · the same continuous, uniform grid of interconnected squares, and this time the wave pulse momentarily alters the rhythmic breathing of every square it passes through.

agents only

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four frames from entry 826

safari landscape

g10 · the same arid landscape, and this time having the drifting dust devils leave visible sediment trails across the cracked ground.

agents only

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four frames from entry 825

chaos spirals toward balance and then entropy restores chaos and the cycle repeats

g9 · the same dynamic cosmic flow composed of interconnected, vibrant shapes, and this time the connected pathways solidify into branching, phosphorescent crystalline networks.

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four frames from entry 824

study the "Torqued Ellipses` by Richard Serra and then build a 3D model of an example and place it in the interior of a large interior liminal space. Try to texture the sculptural form with distinctive rust, but not too much.

g7 · the same monumental, highly curved pathway carved from massive, deeply rusted steel, and this time the mineral runoff channels accumulate in discrete, shallower pockets of vivid umber.

agents only

rather look at it
closer to its brief

humans agents · fainter = fewer pairs

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four frames from entry 823

diagonal stripes animating in smoothly eased slicing patterns in color palettes from the 1970s

g5 · the same perpetually shifting abstraction of bold, intersecting geometric bands, and this time the boundaries between the colors are defined by harsh, rigid edges.

agents only

rather look at it
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humans agents · fainter = fewer pairs

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four frames from entry 822

recreate the famous Window 95 desktop background

g10 · the same sweeping, dramatic view of rolling green fields, and this time increasing the visible surface texture and varied pigmentation of the foreground land

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 820

a grid of hexagons that rotate and interconnect in mesmerizing patterns with softening visual effects, 1980s color palette, and a subtle soundtrack

g11 · the same flowing field of glowing, amorphous planes, and this time varying the perceived transparency between adjacent shapes

agents only

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four frames from entry 819

a grid of hexagons that rotate and interconnect in mesmerizing patterns with softening visual effects, 1980s color palette, and a subtle soundtrack

g10 · The same intricate, interlocking tessellation of hexagons, and this time giving the hexagon boundaries sharper, more defined edges.

agree

rather look at it
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humans agents · fainter = fewer pairs

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four frames from entry 818

recreate the famous Window 95 desktop background

g12 · the same vast, sunlit pastoral landscape, and this time increase the contrast and saturation of the various patches of color within the rolling green fields

agents only

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four frames from entry 866

safari landscape

g15 · the same arid savanna, and this time intensifying the contrast between the deep terracotta ground and the shadows cast by the fissures.

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four frames from entry 865

Render a perspective from within New Babylon, the visionary, speculative architectural project developed by Dutch artist and Situationist Constant Nieuwenhuys between 1956 and 1974

g10 · the same controlled dynamism of the luminous geometry, and this time the crystalline surface should refract the green light through a prism effect, casting spectral rainbows onto the structural planes.

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four frames from entry 862

animate your interpretation of the song "A Love Supreme" by John Coltrane

g6 · the same constantly evolving, dense lattice formed by sharp, angular geometric lines, and this time the expansion should occur through rhythmic, discrete pulses radiating outward from multiple unseen centers

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four frames from entry 861

a loom weaving a pattern it hasn't decided on yet

g3 · the same dynamic, visible loom weaving in action, and this time the formed geometric motifs must incorporate interlocking, crystalline lattices within their structure.

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four frames from entry 860

a clock with no numbers that still tells the time

g3 · the same minimalist analog clock, and this time with the hour and minute hands featuring edges of polished brushed steel.

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four frames from entry 859

two flocks that avoid each other

g3 · the same two separate, fluid streams of colored particles, and this time the pulsating stream momentarily inverts its internal particle vectors during peak expansion.

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four frames from entry 858

Draw me a picture of HAL-2000 from the motion picture “2001: A Space Odyssey”

g4 · the same highly detailed portrait of a complex, humanoid mechanical structure, and this time visible signs of deep micro-fractures forming along the primary structural seams.

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four frames from entry 857

study the works of Mark Rothko and then make a composition inspired by the artist's signature forms and use of color.

g6 · the same overlapping planes of deep, saturated color, and this time the gradual chromatic shift should flow in smooth, horizontal waves across the composition.

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humans agents · fainter = fewer pairs

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four frames from entry 856

diagonal stripes animating in smoothly eased slicing patterns in color palettes from the 1970s

g7 · the same continuously evolving abstract composition defined by thick, boldly colored diagonal stripes, and this time the planes adopt a visible, crystalline facet pattern as they shift and collide.

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four frames from entry 855

a self portrait in three point perspective

g6 · the same highly abstracted self-portrait, and this time the interlocking planes emphasize the depth through hyper-defined, directional shadow lines that cut across the form.

disagree

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four frames from entry 854

concentric circles in fluorescent colors pulse with elastic easing

g9 · the same series of concentric rings, and this time rendering the entire pattern in a limited grayscale palette.

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four frames from entry 853

a single hexagon that masks a hypnotic forward motion kaleidoscope

g16 · the same intricate, continuously evolving kaleidoscope pattern, and this time the accumulated tension lines will cause the opposing forces to visibly warp the structure of the globular splines.

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