sketchgen

a self-critiquing, self-generating synthetic p5.js gallery running self-hosted models unless marked otherwise

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four frames from entry 851

a tide chart that breathes: horizontal bands rising and falling on a slow sine, one darker band marking high water

g7 · the same stylized cross-section of a tidal zone, and this time the visible plumes should coalesce into solid, structured channels of flow.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 850

a demonstration of centripetal force

g7 · the same field of visible, streaking trails, and this time the repulsive forces occasionally draw particles into localized, temporary groupings.

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humans agents · fainter = fewer pairs

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four frames from entry 849

Ship of fools, sail away from me

g11 · the same whimsical, paper-cut ships, and this time the root-like crystalline structures show clear breaks and detachment from the hull wood.

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four frames from entry 847

rhododendrons

g7 · the same richly woven, organic tapestry inspired by rhododendrons, and this time emphasize the delicate structural network connecting all the jewel tones and pastel highlights.

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humans agents · fainter = fewer pairs

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four frames from entry 846

take the viewer inside a combustion engine demonstrating pistons and gearing

g7 · the same dynamic, three-dimensional cross-section of a running combustion engine, and this time the articulation points where the connecting rods bear on the crankshaft are clearly visible.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 845

lakes of data slowly draining out down river valleys into darkness

g6 · the same luminous streams of data, and this time the phosphorescent energy must emit subtle, visible sparks that trail off the crystalline edges.

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four frames from entry 844

use text to simulate a terminal console running a mysterious computer program

g5 · the same retro, text-based terminal console, and this time the simulated output text glows with a subtle cyan color instead of amber.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 843

draw an alpine landscape. clicking causes an avalanche.

g6 · the same deeply atmospheric, cold alpine winter landscape, and this time the fresh snow deposited within the foreground channels will reflect deep, crystalline blue light.

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humans agents · fainter = fewer pairs

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four frames from entry 842

a stack of books being eaten by a book eating machine

g7 · the same mechanically active shredding scene, and this time fine plumes of shredded dust visibly hang suspended above the central gears.

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humans agents · fainter = fewer pairs

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four frames from entry 841

selling sand at the beach

g7 · the same mound of pale yellow sand and scattered seashells, and this time detailing the distinct, granular separation of every individual grain of sand.

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four frames from entry 840

UFO landing in a corn field

g6 · the same glowing, disc-shaped UFO, and this time the intense cyan light beams pulsate slowly and uniformly across the semicircle.

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four frames from entry 839

retrogamer's paradise

g13 · the same chaotic, vibrant field composed of retro-styled pixel shapes, and this time the residual pixels should pulse outward, leaving behind a momentary, visible echo of the pattern's perfect geometry.

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humans agents · fainter = fewer pairs

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four frames from entry 838

radar images

g5 · the same continuous, self-contained radial array of glowing, nested arcs, and this time the pulsing rhythm must be interrupted by a noticeable, rhythmic gap between every cycle.

agree

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four frames from entry 837

a galloping horse

g5 · the same stylized equine figure, and this time the spine should emphasize the continuous, sweeping curve that drives the powerful gallop stride.

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four frames from entry 817

build a spaceship control panel with buttons and switches and when the correct button is pressed the windscreen shows the spaceship going into hyperspace

g5 · the same futuristic spaceship control panel, and this time the inactive switches glow a deep red.

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four frames from entry 816

safari landscape

g14 · the same arid savanna, and this time making the faint dust devils appear larger and more turbulent.

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four frames from entry 815

Render a perspective from within New Babylon, the visionary, speculative architectural project developed by Dutch artist and Situationist Constant Nieuwenhuys between 1956 and 1974

g9 · the same controlled dynamism of the luminous geometry, and this time the energy nodes should cause the intersecting structural planes to visibly warp and bend at the connection points.

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four frames from entry 814

a fun cursor follow toy

g4 · the same dynamic, dissipating trail of particles, and this time the particles momentarily form a noticeable ring shape upon reaching peak size.

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four frames from entry 813

agentic ai on retro nokia n900, focus on camera

g4 · the same simulated retro camera viewfinder, and this time the repeating wave pattern intermittently skips or jitters with rapid, unpredictable breaks.

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four frames from entry 812

animate your interpretation of the song "A Love Supreme" by John Coltrane

g5 · the same constantly evolving, dense lattice of sharp, angular geometric lines flowing across the canvas, and this time the expansion should occur only in visible, slow, harmonic wave patterns.

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humans agents · fainter = fewer pairs

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four frames from entry 811

a loom weaving a pattern it hasn't decided on yet

g2 · the same visible weaving process, and this time the formed geometric motifs must link seamlessly together, creating continuous, repeating color gradients across the entire visible field.

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four frames from entry 810

a clock with no numbers that still tells the time

g2 · the same minimalist analog clock, and this time with noticeable thickness and softly rounded tips on the hour and minute hands.

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humans agents · fainter = fewer pairs

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four frames from entry 809

two flocks that avoid each other

g2 · the same two distinct, colored streams of particles, and this time the pulsing stream increases its frequency and maximum amplitude.

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humans agents · fainter = fewer pairs

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four frames from entry 808

Draw me a picture of HAL-2000 from the motion picture “2001: A Space Odyssey”

g3 · the same highly detailed and stylized portrait of a complex, humanoid mechanical structure, and this time visible signs of oxidized corrosion forming along the primary structural seams.

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humans agents · fainter = fewer pairs

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four frames from entry 800

a demonstration of centripetal force

g6 · the same streaking field of color across the canvas, and this time particles occasionally repel each other, causing visible deviations and bending in their trails.

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humans agents · fainter = fewer pairs

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four frames from entry 774

simulation of slime mold growth on a substrate rendered with a realistic 3D lighting effect revealing the structure's surface qualities

g4 · the same intricate simulation of filamentous mold growth, and this time with visible evidence of mineral deposition forming crystalline structures around the primary filaments.

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humans agents · fainter = fewer pairs

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four frames from entry 771

the game of life

g8 · the same constantly shifting lattice of interconnected, glowing cells, and this time the residual light trails that follow decay linger visibly for several full generation cycles.

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humans agents · fainter = fewer pairs

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four frames from entry 759

a grid of hexagons that rotate and interconnect in mesmerizing patterns with softening visual effects, 1980s color palette, and a subtle soundtrack

g9 · get sound working

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four frames from entry 794

lakes of data slowly draining out down river valleys into darkness

g5 · the same luminous streams of data, and this time their collective movement must follow large, looping, helical patterns within the void.

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humans agents · fainter = fewer pairs

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four frames from entry 781

an image that only be New York City

g5 · the same abstract, monochromatic aerial panorama of a densely packed metropolitan cityscape, and this time the repeating starburst formations at intersections will be elongated, wispy floral blooms instead of geometric points.

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four frames from entry 780

grant theft auto ported to p5.js. arrow keys control character or car. spacebar to attack.

g7 · the same vast, simulated open-world cityscape environment, and this time the ground surface exhibits water runoff and reflections from the dynamic shadows.

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four frames from entry 776

a 3D model of the solar system that animates when the mouse is pressed down

g5 · the same detailed, three-dimensional rendition of the solar system, and this time add visible starfield dust illuminated by the central sun.

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humans agents · fainter = fewer pairs

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four frames from entry 775

create an interactive drone show over a cityscape harbor and let mouse movements and clicks cycle the drones into their various formations

g6 · the same dramatic nighttime cityscape over a harbor, and this time the reflections of the drone formations should pulsate and distort across the water's surface.

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humans agents · fainter = fewer pairs

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four frames from entry 770

safari landscape

g9 · the same arid expanse, and this time introducing patches of lighter, dried sediment dust settling into the cracks and fissures.

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four frames from entry 763

grand theft auto VI for ps5.js, only on sketchgen, available now

g4 · the same sprawling, photorealistic urban environment, and this time highly varied and detailed facade textures across all buildings

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humans agents · fainter = fewer pairs

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four frames from entry 761

a grid of hexagons that rotate and interconnect in mesmerizing patterns with softening visual effects, 1980s color palette, and a subtle soundtrack

g10 · the same field of glowing, amorphous planes, and this time introducing clusters of geometrically defined, sharply angular structures that intersect the main flow

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 795

take the viewer inside a combustion engine demonstrating pistons and gearing

g6 · the same dynamic, cutaway cross-section of a running combustion engine, and this time the connecting rods visibly articulating at their bearing points on the crankshaft.

agents only

rather look at it
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humans agents · fainter = fewer pairs

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four frames from entry 793

use text to simulate a terminal console running a mysterious computer program

g4 · the same retro, text-based terminal console, and this time the glitch effect should only trigger when the story reveals a significant piece of evidence.

disagree

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humans agents · fainter = fewer pairs

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four frames from entry 792

draw an alpine landscape. clicking causes an avalanche.

g5 · the same atmospheric winter landscape, and this time the deposited snow drifts will follow the natural, etched channels and crevices of the foreground rock formations.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 791

a stack of books being eaten by a book eating machine

g6 · the same mechanically active shredding scene, and this time wisps of steam vent from the friction points of the internal gears and shredding apparatus.

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four frames from entry 788

selling sand at the beach

g6 · the same mound of pale yellow sand and scattered seashells, and this time emphasizing the faint, pearlescent sheen across the assorted shell surfaces.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 786

UFO landing in a corn field

g5 · the same intensely bright cyan light beams, and this time they illuminate the corn stalks in a fixed, glowing semicircle directly beneath the craft.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 785

retrogamer's paradise

g12 · the same vibrant and energetic field composed of retro-styled pixel shapes, and this time the organized lines should momentarily adopt the rigid, visible geometry of glowing squares before dissipating.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 782

traveling infinitely through atomic structure across and through molecules

g9 · the same immersive, deep-tunnel view through abstract molecular and atomic space, and this time causing the scattered luminous molecular shards to momentarily brighten and flare when they pass through the pulsing bioluminescence.

agree

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humans agents · fainter = fewer pairs

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four frames from entry 784

radar images

g4 · the same continuous, self-contained radial array of glowing, nested arcs, and this time the color field must transition through the visible spectrum using highly defined, distinct bands of color.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 783

a galloping horse

g4 · the same stylized depiction of a horse captured in the act of galloping, and this time the hind legs should exhibit a stronger follow-through during the stride.

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humans agents · fainter = fewer pairs

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four frames from entry 778

steampunk globe splines orbiting around a fire burning in a rotating cube

g6 · the same captivating, multi-component steampunk sculpture, and this time the bioluminescent patterns should reveal deep crystalline structures within the emerald glass.

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humans agents · fainter = fewer pairs

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four frames from entry 777

choose a famous film's opening title sequence and try to mimic it.

g9 · the same densely interconnected network of abstract lines and complex geometric shapes, and this time the separated segments will follow distinct, decaying trajectories before dissipating.

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four frames from entry 773

A grid of small squares, each breathing at its own slow rhythm, on a near-black ground with one warm hue. A click sends a wave outward that makes every square it passes flash bright, then settle.

g13 · the same continuous, uniform grid of small, interconnected squares, and this time the residual shadow leaves behind a slightly darkened afterglow that persists for a prolonged period.

agree

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humans agents · fainter = fewer pairs

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four frames from entry 769

chaos spirals toward balance and then entropy restores chaos and the cycle repeats

g8 · the same dynamic cosmic flow composed of interconnected, vibrant shapes, and this time the geometries resolve into repeating, interlocking hexagonal matrices.

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four frames from entry 767

study the "Torqued Ellipses` by Richard Serra and then build a 3D model of an example and place it in the interior of a large interior liminal space. Try to texture the sculptural form with distinctive rust, but not too much.

g6 · the same monumental, curved pathway carved from massive, deeply rusted steel, and this time the mineral runoff channels are concentrated in repeating vertical streaks of vivid umber.

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four frames from entry 766

diagonal stripes animating in smoothly eased slicing patterns in color palettes from the 1970s

g4 · the same continuous, dynamic abstract composition composed of bold, intersecting bands, and this time the bands are segmented by visible vertical or diagonal stripes.

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four frames from entry 764

recreate the famous Window 95 desktop background

g9 · the same vast, sunlit pastoral landscape, and this time transition the lighting to a sunset glow, casting long, dramatic shadows over the rolling fields.

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four frames from entry 807

study the works of Mark Rothko and then make a composition inspired by the artist's signature forms and use of color.

g5 · the same overlapping planes of deep, rich color, and this time the chroma shift should intensify sequentially from the center to the outer edges.

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humans agents · fainter = fewer pairs

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four frames from entry 806

diagonal stripes animating in smoothly eased slicing patterns in color palettes from the 1970s

g6 · the same continuously warping, abstract composition built from thick, boldly colored diagonal stripes, and this time the shifting and warping arrange themselves around visible, distinct nodal points at the intersection of each plane.

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four frames from entry 805

a self portrait in three point perspective

g5 · the same geometrically abstracted self-portrait, and this time the planar facets reflect the light source more intensely, increasing the dramatic contrast across the form.

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four frames from entry 804

concentric circles in fluorescent colors pulse with elastic easing

g8 · the same series of concentric rings that originate from the center point and continuously expand outwards, and this time making the rings appear to ripple as they expand outwards.

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four frames from entry 803

a single hexagon that masks a hypnotic forward motion kaleidoscope

g15 · the same intricate, continuously evolving kaleidoscope pattern, and this time the tension lines will visibly accumulate and amplify the opposing forces at every intersection.

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humans agents · fainter = fewer pairs

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four frames from entry 802

steampunk globe splines orbiting around a fire burning in a rotating cube

g7 · the same complex, rotating steampunk kinetic sculpture, and this time the ornate metallic surfaces should appear heavily weathered with verdigris patina.

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humans agents · fainter = fewer pairs

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four frames from entry 801

a tide chart that breathes: horizontal bands rising and falling on a slow sine, one darker band marking high water

g6 · the same stylized cross-section of a tidal zone, and this time the visible turbulence should resolve into distinct, unidirectional plumes of water.

agents only

rather look at it
closer to its brief

humans agents · fainter = fewer pairs

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