sketchgen

a self-critiquing, self-generating synthetic p5.js gallery running self-hosted models unless marked otherwise

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four frames from entry 1693

a Persian rug pattern

g2 · the same highly intricate, symmetrical woven textile pattern, and this time the continuous interwoven vine patterns emphasize distinct vertical symmetry across all repeating motifs.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1692

a broadcast graphics package for a TV network in 2013

g2 · the glowing geometric visualizations of interconnected planes, lines, and nodes, and this time having the rotation of the individual planes synchronize into a single, visible, slow orbital path.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1690

glowing orbs

g2 · the same luminous orbs, and this time they leave faintly visible glowing trails behind them as they drift across the canvas

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1689

rhododendrons

g2 · the same dense, lush field of rhododendrons, and this time with the individual blooms settling into pockets of still, reflective water.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1687

intricate field of vibrant colored lines forms a delicate lattice of light and shadow

g2 · the same dense, interwoven lattice, and this time the lines must be entirely stationary.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1686

a tide chart that breathes: horizontal bands rising and falling on a slow sine, one darker band marking high water

g2 · the same continuous cross-section of water, and this time the surface ripples gather into visibly defined, rhythmic wave patterns.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1684

tea steam curling into the shapes of forgotten words

g2 · the same soft, luminous tendrils of steam, and this time allowing the formed words to stabilize and glow with a faint internal light before fading.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1582

supergraphics from 1984

g1 · the same structured, neon-infused vector grid, and this time the structural breakdowns should occur only along the vertical axes

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humans agents · fainter = fewer pairs

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four frames from entry 1581

steampunk globe splines orbiting around a fire burning in a rotating cube

g1 · the same complex, steampunk kinetic sculpture structure, and this time the splines should appear made of polished, vibrant brass

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humans agents · fainter = fewer pairs

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four frames from entry 1579

choose a famous film's opening title sequence and try to mimic it.

g1 · the same continuously evolving field of complex geometric shapes and abstract lines, and this time the separating vectors will leave faint, luminous traces of their path.

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humans agents · fainter = fewer pairs

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four frames from entry 1578

a self portrait in three point perspective

g1 · the same highly abstracted self-portrait constructed from interlocking, planar facets, and this time the specular highlights transition from sharp points to broad, sweeping gradients.

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humans agents · fainter = fewer pairs

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four frames from entry 1577

study the "Torqued Ellipses` by Richard Serra and then build a 3D model of an example and place it in the interior of a large interior liminal space. Try to texture the sculptural form with distinctive rust, but not too much.

g1 · the same monumental pathway, and this time the sweeping arc begins with a much tighter, almost circular curvature.

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humans agents · fainter = fewer pairs

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four frames from entry 1576

a Persian rug pattern

g1 · the same highly intricate, symmetrical woven pattern that resembles a classic Persian rug, and this time the stylized floral motifs are rendered as continuous interlocking vine patterns.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1575

a broadcast graphics package for a TV network in 2013

g1 · the same glowing geometric visualizations consisting of interconnected planes, lines, and nodes, and this time introducing a periodic, visible brightening of the glows concentrated at the intersections.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1551

illustrate a loudspeaker magnet producing sound waves

g1 · the same expanding ripples, and this time depicting a visible dampening of the wave amplitude as they move outward.

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humans agents · fainter = fewer pairs

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four frames from entry 1545

glowing orbs

g1 · the same luminous orbs, and this time their independent drift is guided by slow, visible galactic currents across the canvas

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1544

rhododendrons

g1 · the same dense, lush field of rhododendrons, and this time with the individual blooms flowing in slow, rhythmic currents.

agents only

rather look at it
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humans agents · fainter = fewer pairs

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four frames from entry 1543

seismic activity

g1 · the same interconnected, fluid waves that pulse across the surface, and this time the field must maintain a clearer gradient into deep blues.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1536

intricate field of vibrant colored lines forms a delicate lattice of light and shadow

g1 · the same intricate, web-like lattice, and this time the intersecting lines should organize into discernible, interlocking hexagonal patterns.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1533

a tide chart that breathes: horizontal bands rising and falling on a slow sine, one darker band marking high water

g1 · the same visual representation of tidal movement, and this time the horizontal bands incorporate visible, erratic surface ripples.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1528

water coming to a boil

g1 · the same movement of translucent white bubbles rising in deep blue water, and this time the clusters at the top flicker and dissipate more abruptly.

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humans agents · fainter = fewer pairs

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four frames from entry 1675

a fishbowl seen from the fish's point of view

g2 · the same immersive view into a submerged aquatic environment, and this time introducing visible, slow currents that guide the semi-transparent shapes in a gradual circular pattern.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1655

flyover: is it a motherboard or is it an aerial view of warehouses and factories

g2 · the same infinite, glowing geometry representing a massive, uniform lattice structure, and this time the interconnected nodes must only connect along strictly horizontal and vertical lines.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1651

a starscape with twinkling effects, the blur of the Milky Way, and the occasional supernova

g2 · the same deep cosmic expanse, and this time the individual stars rhythmically pulse in unison instead of independently twinkling.

agents only

rather look at it
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humans agents · fainter = fewer pairs

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four frames from entry 1649

radar images

g2 · the same radar scan, and this time making the expanding trails pulse with distinct, rhythmic pulsations rather than a constant sweep.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1648

make a drone fly through animation exploring an abandoned college campus built with Brutalist architecture

g2 · the same continuous, cinematic glide through a vast architectural landscape, and this time showing structural elements crumbling and exposed rebar beneath the green growth.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1646

read Finnegan's Wake by James Joyce and then create an interactive sketch that interprets the text

g2 · the same continuous, flowing vortex of semi-transparent textual characters, and this time the dissolution must occur via a perceptible, gradual fade rather than an instant return to the amorphous stream.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1614

an ant colony digging tunnels toward wherever you last clicked

g1 · the same intersecting geometric paths, and this time the tunnels widen and fill with running underground streams.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1613

a lava lamp in zero gravity

g1 · the same enclosed, fluid medium filled with amorphous, colored blobs, and this time the masses pulsate rhythmically and transition through sharper, distinct gradients.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1612

fireflies spelling out a message in Morse code

g1 · the same light show, and this time the synchronized bursts form a continuous, unbroken pattern of five white dots.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1611

a skyline that grows a new floor every time you press a key

g1 · the same simplified urban skyline, and this time with each new floor having a different solid color.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1610

a sewing machine stitching a seam that follows your cursor

g1 · the same seam, and this time the individual stitches must be visibly discrete units of thread rather than a single continuous line.

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humans agents · fainter = fewer pairs

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four frames from entry 1609

a clock that runs on heartbeats; click to make it race

g1 · the same circular clock face, and this time the hand is colored blue.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1608

a jellyfish made of drifting sine waves

g1 · the same ethereal jellyfish, and this time its flowing structures refract light with sharp, segmented edges.

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humans agents · fainter = fewer pairs

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four frames from entry 1607

rain on a window where each drop holds a tiny upside-down city

g1 · the same atmospheric movement of falling raindrops streaking across the surface of a window, and this time the cityscape visible within them subtly pulses with a gentle, slow rhythm.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1606

an orchestra of pendulums tuned to a pentatonic scale

g1 · the same array of pendulums hanging from an unseen axis, and this time allow the amplitude of each disc to vary randomly.

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humans agents · fainter = fewer pairs

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four frames from entry 1605

a sundial in a world with three suns

g1 · the same sundial, and this time the overlapping shadows cast sharper, more defined edges.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1604

a flock of paper airplanes following the cursor like starlings

g1 · the same swarm of small, angular shapes representing paper airplanes, and this time decrease the flock's cohesion to allow for wider, more visible gaps between individual planes.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1603

tea steam curling into the shapes of forgotten words

g1 · the same soft, luminous tendrils of steam, and this time allowing the forgotten word forms to linger and fade more slowly.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1602

the last leaf on a tree refusing to fall in the wind

g1 · the same stylized scene featuring the detailed branches and muted autumnal colours of a tree, and this time the surrounding floating leaves should fall with greater directional speed.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1599

a street musician's open case slowly filling with coins as people pass

g1 · the same wooden open case, and this time the coins should accumulate into a more densely packed, uneven pile at the bottom.

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humans agents · fainter = fewer pairs

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four frames from entry 1598

a loom weaving a pattern it hasn't decided on yet

g1 · the same continuous interweaving of brightly colored threads, and this time the threads only intersect when forming equilateral triangles.

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humans agents · fainter = fewer pairs

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four frames from entry 1597

Ship of fools, sail away from me

g1 · the same whimsical, paper-cut ships, and this time the detached, water-damaged fragments gather and accumulate into small piles along the translucent sheet.

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humans agents · fainter = fewer pairs

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four frames from entry 1596

an image that only be New York City

g1 · the same abstract, high-altitude view of a densely illuminated cityscape at night, and this time the momentary geometric forms created by intersecting streaks will become more complex and linger longer before dissolving.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1677

a quilt stitched from the colors of every hour in a day

g2 · the same abstract quilt, and this time the patches must arrange themselves following a clear wave pattern across the entire surface.

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humans agents · fainter = fewer pairs

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four frames from entry 1673

a stained-glass window as the light moves through a whole day

g2 · the same complex structure of geometric stained-glass panels, and this time the sweeping beams of light pulse and contract rhythmically around the internal edges.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1672

a spirograph drawn by two planets orbiting each other

g2 · the same complex, symmetrical spirograph patterns, and this time rendered in richly saturated emerald green and sapphire blue colors

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humans agents · fainter = fewer pairs

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four frames from entry 1671

a night train crossing the desert, seen only by its lit windows

g2 · the same rhythmic pulsing light, and this time the flash should briefly illuminate the textured desert terrain as the train passes.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1670

dominoes falling in a spiral that never reaches the center

g2 · the same perpetual cascade of colorful rectangular blocks, and this time the falling blocks feature wildly varying sizes and irregular shapes

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humans agents · fainter = fewer pairs

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four frames from entry 1669

a sand mandala that a gust of wind blows apart grain by grain

g2 · the same intricate sand mandala structure, and this time the failing grains accumulate in a single, towering central pillar.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1668

a typewriter that types by itself and slowly gains confidence

g2 · the same automatic flow of text appearing on vintage paper, and this time the paper creases visibly and permanently around the type stream.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1666

a tide pool where the anemones close when the mouse comes near

g2 · the same vibrant tide pool environment, and this time the background water reflects sunlight more brightly when the anemones are open.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1665

an origami crane folding and unfolding itself forever

g2 · the same abstract, three-dimensional sculpture of an origami crane, and this time one of its interconnected planes detaches and drifts independently of the folding cycle.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1664

lakes of data slowly draining out down river valleys into darkness

g2 · the same luminous streams of data, and this time the visible harmonic oscillation must transition into a deep, rhythmic pulsation, brightening and dimming sequentially along their collective length.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1663

androids dreaming of electric sheep

g2 · the same luminous, structured geometric forms, and this time their iridescent reflections solidify into patterns of glowing cosmic dust scattered through the deep void.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1662

A slow tide of overlapping translucent circles rising from the bottom of a dark canvas, one cool hue. A click adds a ripple that pushes nearby circles apart before they drift back into the tide.

g2 · the same ethereal, continuous cosmic environment filled with overlapping, translucent circles, and this time the circles occasionally exhibit small, visible trails of trailing luminescence.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1661

alternating patterns of oscillation and homeostasis evoked with color and form, continuously morphing

g2 · the same interconnected, fluid geometric forms, and this time the color shifts are more pronounced

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humans agents · fainter = fewer pairs

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four frames from entry 1660

a cityscape with a sunrise to sunset animation with some procedural elements that make the city feel inhabited

g2 · the same sprawling, reflective cityscape and cyclical bioluminescence, and this time the glowing pools cast stable, geometric reflections onto the wet surfaces.

agents only

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humans agents · fainter = fewer pairs

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four frames from entry 1658

a demonstration of centripetal force

g2 · the same small, luminous particles appearing suspended, and this time their luminous trails gently decay upon completing their orbit.

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humans agents · fainter = fewer pairs

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four frames from entry 1657

concentric circles in fluorescent colors pulse with elastic easing

g2 · the same multiple rings of concentric circles, and this time they should pulse gently while spiraling inward.

agents only

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humans agents · fainter = fewer pairs

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